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AGAPANTHUS HUM AND THE ANGEL HOOT

Name: AGAPANTHUS HUM AND THE ANGEL HOOT
Author: Joy Cowley
ISBN: 0-399-23344-X

by Joy Cowley & illustrated by Jennifer Plecas ‧ RELEASE DATE: March 1, 2003

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Good little Mommy and good little Daddy are back with their irrepressible, growing daughter, Agapanthus Hum (Agapanthus Hum and the Eyeglasses, 1999; Agapanthus Hum and Major Bark, 2001). She has finally lost her first tooth and that wonderful gap between her remaining teeth allows her to make a wild, whistling noise. Her parents call it an Angel Hoot and even her dog, Major Bark, gets into the celebration by howling along every time he hears the sound. Soon, canine and human have their own little hoot-and-howl vaudeville act for Agapanthus’s class at school. Cowley’s genius with new readers is that she knows her audience. Loose teeth, growing up, friendships, animals, and school are all topics that fascinate young children. They long to be as joyous as Agapanthus, so they enjoy her exuberance, even when it goes over the top. Her teacher, Miss Ryan, good little Mommy, and good little Daddy are the perfect adults: they nod, they repair life’s little accidents, they smile and wink, and mostly they stay blessedly out of the way. Plecas’s light, colorful illustrations are the ideal foil for Cowley’s world, with the heroine jumping right out of the background frames in her celebration of life. Major Bark comes into his own in the latest installment. He could very well join Gloria, of Officer Buckle fame, on the stage as he rolls on the floor and howls along with his beloved friend. A howling success. (Easy reader. 5-8)

Pub Date: March 1, 2003

ISBN: 0-399-23344-X

Page Count: 48

Publisher: Philomel

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2002

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
THE TINY WOMAN'S COAT
by Joy Cowley ; illustrated by Giselle Clarkson

- BOOK REVIEW
SONG OF THE RIVER
by Joy Cowley ; illustrated by Kimberly Andrews

- BOOK REVIEW
THE WARLI PEOPLE
by Hye-Eun Shin ; illustrated by Su-Bi Jeong ; edited by Joy Cowley

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BERRY MAGIC

by Teri Sloat & Betty Huffman & illustrated by Teri Sloat ‧ RELEASE DATE: June 1, 2004

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Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)

Pub Date: June 1, 2004

ISBN: 0-88240-575-6

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

Categories:

CHILDREN'S GENERAL CHILDREN'S | CHILDREN'S SCIENCE & TECHNOLOGY

- BOOK REVIEW
ZIP! ZOOM! ON A BROOM
by Teri Sloat ; illustrated by Rosalinde Bonnet

- BOOK REVIEW
PABLO IN THE SNOW
by Teri Sloat ; illustrated by Rosalinde Bonnet

- BOOK REVIEW
THERE WAS AN OLD MAN WHO PAINTED THE SKY
by Teri Sloat and illustrated by Stefano Vitale

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RAPUNZEL

adapted by Rachel Isadora & illustrated by Rachel Isadora ‧ RELEASE DATE: Oct. 1, 2008

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Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)