Here's the stuff of nightmares for those intimidated by doctors, and husbands for that matter, from the author a Kiss Mommy Goodbye (l98l) and others. Fielding's psychological suspenses have always been geared toward the girls, and See Jane Run is no exception. Quelle surprise when Jane Whittaker finds herself in the middle of downtown Boston with blood spattered on the front of her dress, $l0,000 in large bills stuffed in her pockets, and no idea who she is! After stashing the filthy frock and loot in a locker and roaming aimlessly for a spell, she winds up in Boston Hospital, where she's recognized as the wife of the widely respected pediatrician, Michael Whittaker. He claims her, takes her home to the suburbs, acts oh so nice, installs a fascist housekeeper to watch over her while he's at work, and feeds her lots of funny little pills which only make her feel worse. Other things further unhinge her: the fresh scar on Michael's forehead (which she connects with the blood on her dress), neighbor, Carole, who accuses her an extramarital affair, and the news that she has a daughter, Emily, who Michael is keeping out of sight. One foiled runaway attempt brings revelations from the good doctor, who tells Jane that she killed both her mother and Emily, and bashed him with an Oriental vase, causing the cut. Understandably, Jane freaks, making drug injections seem reasonable, though they turn her into a near vegetable. But when she learns by accident that Emily is alive, she bolts, intent on figuring out what really happened on the day her amnesia set in. The ugly truth has to do with Michael's deep, dark attraction to little girls—which he's ready to do anything to hide. Fielding's tracking of Jane's amnesia is belabored, but besides this the book's a bang-up good read, What Ever Happened to Baby Jane meets The Good Mother, and probably Fielding's best since Kiss Mommy Goodbye.
Pub Date: May 16, 1991
ISBN: 0-688-08867-8
Page Count: 416
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1991
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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