Not so much one story as three (with a spectral onlooker); fans of the original may enjoy picking out the tweaks.
The March family marches on…in 1942.
Taking Beth, Jo, Meg, and Amy as point-of-view characters, the authorial quartet begins this spinoff with Beth dead but contributing free verse observations between chapters and the surviving sisters estranged. In the least developed storyline, Meg stays home, flirting briefly with being unfaithful to absent fellow teacher and beau John. Jo stalks off to work as a riveter in an airplane factory and (confirming the speculations of generations of nuance-sensitive readers) discovers her queerness. True to character, Amy lies about both her age and her admission to art school in Montreal so she can secretly join the Red Cross and is shipped off to London—where she runs into and falls for wounded airman Laurie. Though linked to the original by names, themes (notably the outwardly calm, saintly Marmee’s admission of inner anger, which is reflected here in her daughters), and incidents that are similar in type, there are enough references to period details to establish a weak sense of setting. Giving Meg and Amy chances to reflect on their racial attitudes through the introduction of a Japanese American student and, in a single quick encounter, a Black serviceman feels perfunctory given the otherwise all-White cast. Jo’s slower ride to self-knowledge, though heavily foreshadowed, comes off as more authentic. If the sisters’ eventual fence-mending is predictable, it’s also refreshingly acerbic.
Not so much one story as three (with a spectral onlooker); fans of the original may enjoy picking out the tweaks. (Historical fiction. 12-16)Pub Date: March 8, 2022
ISBN: 978-0-593-37259-3
Page Count: 400
Publisher: Delacorte
Review Posted Online: Jan. 25, 2022
Kirkus Reviews Issue: Feb. 15, 2022
Nuanced and riveting in equal parts.
The story of two young Japanese-American men who enlist in the 442nd Regiment, a segregated unit of Japanese-American soldiers and white officers that fought in the European Theater.
Before getting to the war, Hughes provides an on-the-ground view of the American government roundup of Japanese immigrants and citizens after the bombing of Pearl Harbor, their detainment, and eventual transport to internment camps. As seen through the eyes of Topaz internees Yuki and his friend Shig, fighting for the United States would redeem their honor as Americans, but gradually their perspective changes. They learn that honor is not a public display but rather something earned (or not) by comrades undergoing extreme hardship and covering one another’s backs. Hughes sends these men through the wringer. They endure foot rot and the stress of taking the next hill (which is worse is up for grabs), and they also grapple with the consequences: how does one reconcile shooting a kid, even if he’s an enemy soldier? Yuki reflects that “what he and Shig were doing—and the Germans, too—was brutal, disgusting,” and he would “spend his life trying to remove all this ugliness from his head and his hands.” Throughout, Hughes never shies from the institutionalized bigotry that put these Americans of Japanese ancestry into harm’s way more than their fair share of times.
Nuanced and riveting in equal parts. (Historical fiction. 12-16)Pub Date: Nov. 8, 2016
ISBN: 978-1-4814-6252-5
Page Count: 272
Publisher: Atheneum
Review Posted Online: Aug. 29, 2016
Kirkus Reviews Issue: Sept. 15, 2016
Emotionally resonant and not without humor, this impressive debut about survival and connection, resourcefulness and...
Two girls on the racial margins of mid-19th-century America team up and head west.
As the book opens, Samantha, a 15-year-old Chinese-American violinist, yearns to move back to New York City in 1849, though her kind and optimistic father, owner of a dry goods store in the bustling outpost of Saint Joe, Missouri, has great plans for them in California. When the store burns down and her father dies, she is forced to defend herself from their predatory landlord. Suddenly on the run from the law, Samantha and Annamae, a 16-year-old African-American slave who covets freedom, disguise themselves as boys and head west on the Oregon Trail. Well-crafted and suspenseful, with more flow than ebb to the tension that stretches like taut wires across plotlines, Lee’s tale ingeniously incorporates Chinese philosophy and healing, music, art and religion, as well as issues of race and discrimination (including abolitionist views and examples of cruel slave treatment), into what is at its center a compelling love story. “Sammy” and “Andy” meet up with Cay, West and Peety, three young, good-hearted cowboys with secrets of their own, who help them on their arduous, dangerous journey.
Emotionally resonant and not without humor, this impressive debut about survival and connection, resourcefulness and perseverance will keep readers on the very edges of their seats. (Historical fiction. 12-16)Pub Date: March 17, 2015
ISBN: 978-0-399-16803-1
Page Count: 384
Publisher: Putnam
Review Posted Online: Dec. 5, 2014
Kirkus Reviews Issue: Dec. 15, 2014
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