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PRICKLY ROSES

STORIES FROM A LIFE

Fond, charming snapshots from a lost age.

Anecdotes from a late-in-life writer revealing an unusual family history.

In her first book, Abell, who was born in 1925 and did not start writing until her 60s, offers a series of dispatches from her childhood. She has an engaging, straightforward style, and each chapter homes in on one aspect of her growing up in unusual places and her erratic parents. In the first piece, “Little Girl Tossed,” the author gives a lively sense of what was important to her 25-year-old parents in the fall of 1928—not her, apparently. Recent graduates of Columbia University and Barnard College, they used the gift of a Buick to quit their service jobs in New York City and head to New Orleans, sleeping in farmhouses along the way and working odd jobs. When Abell became an encumbrance, she was handed off to a farm wife for five weeks; while in New Orleans, she was tossed around by drunken guests at her parents’ Prohibition parties. Her father, an aspiring writer who took a job in Chicago because of pressure from his wife’s rich family, was an opaque, misunderstood presence in his daughter’s life. In “Zayde and Bubbe,” the author recalls how she was dumped at her Yiddish-speaking paternal grandparents’ farm in Connecticut for some weeks when she was 4; she bonded intensely with them but later learned that her father’s shame about them stemmed from his mother’s illiteracy. In one rather shocking episode when Abell was 12, her father, suffering from claustrophobia, asked her to take a walk with him, and in her imagination, he seemed to want to hurl her from the edge of a bluff—“He might push me over the edge and get rid of me forever to make his life better.” Elsewhere, Abell re-creates her astonishing overseas trip to Albania at age 5—where her maternal grandfather, Herman Bernstein, was the newly appointed ambassador—unaccompanied, of course, and playing up her status as a worldly “smartypants.”

Fond, charming snapshots from a lost age.

Pub Date: Nov. 1, 2017

ISBN: 978-0-9969726-5-9

Page Count: 176

Publisher: Passager Books

Review Posted Online: Sept. 13, 2017

Kirkus Reviews Issue: Oct. 1, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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