Bova, a staff member of the House of Representatives Armed Services Committee, reveals all she knows about Elvis, but her subject has been so intensely overexposed that even the most intimate details sound familiar. In 1969, in Las Vegas, Bova and a friend were hand-picked from a line of waiting show-goers to meet Elvis backstage. Bova believes that her instant rapport with the King grew out of the fact that she is a twin, as Elvis was, although his brother died at birth. Thus began her three-year relationship with a man who was obviously troubled and affected by giant mood swings. Though her own personality remains in the background, Bova manages a no-nonsense outlook and explains that she stood by her man because of love, even though he was married and had complete disregard for her career. Presley had some odd ideas about women: He was so insistent on purity that she hesitated to inform him that she was not a virgin (``In a way he was right, it would be `new' for me,'' she thought about her prospective sexual experience with him), and when Bova was pregnant (unbeknownst to him), he explained that once a woman had given birth he could no longer be attracted to her (she subsequently had an abortion). Presley's addiction to sleeping pills was a constant problem, but Bova had trouble confronting him about it and took them herself at his insistence. Bova also outlines the King's spiritual side, which involved vague, self- important beliefs that he was teaching people through music and that he was ``put here on earth to serve a special purpose'' with his unique powers. A somewhat pathetic portrait of the entertainer limping toward death. (16-page photo insert, not seen) (First serial to National Star; Literary Guild alternate selection)
Pub Date: July 1, 1994
ISBN: 0-8217-4616-2
Page Count: 416
Publisher: Kensington
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1994
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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