BABYSITTER

A searing work of slow-burning domestic noir.

In 1977 Detroit, a serial killer stalks the streets while an insecure housewife commits adultery with a dangerous stranger.

Hannah Jarrett, 39, appears to want for nothing. Her husband, Wes, is an investment banker from a prominent local family. The couple has two young children, an impressive house in an affluent community, and a live-in housekeeper. However, Hannah believes that “if a woman is not desired, a woman does not exist,” and since Wes has largely lost interest, it’s a thrill when a man touches her wrist at a charity gala and asks, “Which one are you?” He reveals only his initials—Y.K.—and suggests they meet when he returns to town on business. Hannah assents but assumes Y.K. will forget her. Then, two weeks later, he telephones. She visits his hotel intending harmless flirtation; instead, he assaults her. Still, Hannah delights in the notion of having a lover, and the next time Y.K. calls, she comes running—a decision whose ripple effects prove cataclysmic. Meanwhile, a predator dubbed Babysitter terrorizes the county, abducting, raping, and murdering White kids and then publicly displaying their naked bodies. Though Wes believes Babysitter is a Black city-dweller and buys a gun in anticipation of a race war, Hannah fears Babysitter is someone closer to home. The book’s languorous pacing feels at odds with its pulp underpinnings, but on the balance, Oates paints an unflinching portrait of 1970s upper-middle-class America, touching on issues of racism, classism, and institutional abuse while exploring society’s tendency to value women solely in relation to the role they fill—be it wife, mother, or sexual object.

A searing work of slow-burning domestic noir.

Pub Date: Aug. 23, 2022

ISBN: 978-0-593-53517-2

Page Count: 448

Publisher: Knopf

Review Posted Online: June 7, 2022

Kirkus Reviews Issue: July 1, 2022

THE ATLAS MANEUVER

Speculators who haven’t been put off by bitcoin’s recent crash will enjoy this walk—well, run—on the wild side.

Cotton Malone, who just can’t stay retired from international intrigue, joins the mad dance of competitors for a fortune in bitcoin.

So many people have forgotten about the horde of gold the retreating Japanese hid on Luzon Island in the Philippines that it’s not at all clear who has legal title to it. That’s perfect for Robert Citrone, the retired CIA overseer of the Black Eagle Trust, which has used the gold to fund covert operations around the world. Just as Derrick Koger, the European station chief for the CIA, is pulling Malone away from his Copenhagen bookstore to help him investigate possible misdeeds swirling around Luxembourg’s Bank of St. George and its ruthless chief operating officer, Catherine Gledhill, other interested parties turn up in often surprising connections. Freelance assassin Kyra Lhota executes Armenian oligarch Samvel Yerevan and moves on to her next target. Malone’s sometime lover Cassiopeia Vitt is snatched by high-ranking Japanese security chief Aiko Ejima. His former lover Suzy Baldwin resurfaces as Kelly Austin, BSG’s director of special technology, who’s concealing secrets from Malone and the rest of the world. They’re all on the trail of a fabulous cache of bitcoin that in the absence of any legal records of ownership will belong, like the Luzon gold, to anyone who can track it down and grab it. The grandly scaled complications that follow feature countless broken alliances and the deaths of a fearsome number of nonfranchise characters. An extended author’s note explains what’s historically accurate (quite a bit, as it turns out) and what’s fabricated (quite a bit more).

Speculators who haven’t been put off by bitcoin’s recent crash will enjoy this walk—well, run—on the wild side.

Pub Date: Feb. 20, 2024

ISBN: 9781538721032

Page Count: 400

Publisher: Grand Central Publishing

Review Posted Online: Dec. 16, 2023

Kirkus Reviews Issue: Jan. 15, 2024

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THE FURY

More style than substance.

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Michaelides takes a literary turn in his latest novel, employing an unreliable narrator, the structure of classical drama, and a self-conscious eye to dismantling the locked-room mystery.

The novel starts off with a murder, and with seven people trapped on an isolated Greek island lashed by a "wild, unpredictable Greek wind." The narrator, soon established as Elliot Chase, then zooms out to address the reader directly, introducing the players—most importantly movie star Lana Farrar. We meet her husband, Jason Miller, her son, Leo, and her friend Kate Crosby, a theater actress. We learn about her rise to fame and her older first husband, Otto Krantz, a Hollywood producer. We learn about Kate’s possibly stalling career and Leo’s plan to apply to acting schools against his mother’s wishes. We learn about Jason’s obsession with guns. And in fragments and shards, we learn about Elliot: his painful childhood; his May–September relationship with an older female writer, now dead; his passion for the theater, where he learned “to change everything about [himself]” to fit in. Though he isn't present in every scene, he conveys each piece of the story leading up to the murder as if he were an omniscient narrator, capable of accessing every character's interior perspective. When he gets to the climax, there is, indeed, a shooting. There is, indeed, a motive. And there is, of course, a twist. The atmosphere of the novel, set mostly on this wild Greek island, echoes strongly the classical tragedies of Greece. The characters are types. The emotions are operatic. And the tragedy, of course, leads us to question the idea of fate. Michaelides seems also to be dipping into the world of Edgar Allan Poe, offering an unreliable narrator who feels more like a literary exercise. As an exploration of genre, it’s really quite fascinating. As a thriller, it’s not particularly surprising.

More style than substance.

Pub Date: Jan. 16, 2024

ISBN: 9781250758989

Page Count: 320

Publisher: Celadon Books

Review Posted Online: Oct. 7, 2023

Kirkus Reviews Issue: Nov. 1, 2023

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