Boldly cruel and consummately styled, these tales never fail to provoke if not always to satisfy.
Twelve new stories from a prolific master of the short form.
In Oates’ new collection, the zero-sum game so often at work in relationships is explored with exhaustive care. These relationships take varied forms. Sometimes characters struggle with power dynamics. In “Lovesick,” E___ seeks out her former lover to tell him she is being threatened by an anonymous caller, a fact that seems to shock and gratify him in equal turns. In other stories, the relationships are well worn, long settled in their more-or-less predictable gender roles, which have become insufficient to clothe the hostilities that exist at their cores. The lengthy central story, “The Suicide,” stuns with the relentless misogyny of the main character, a brilliant writer consumed by suicidal ideation, who’s disgusted by the “bottomless tar pit of [his wife’s] compassion” even as he reveals that this slavish compassion is the only emotion he has allowed her to express. Indeed, in many of the stories, the power that is transferred between characters centers around a perversion of the expression of female nurture. In “The Cold,” a mother of young children who has suffered a recent miscarriage is prevented from recovery by the presence of frigid breezes that creep up behind her like “an unwanted caress.” As bound as these characters are by their knotted relationships, they are even more bound by the taut, efficient sentences that throttle any hope a character might have of resolving their intractable dilemmas. Indeed, throughout the collection, Oates’ vicious incisiveness enacts a more brutal persecution than any of the cruelties the characters inflict upon each other—ultimately leaving little room for change in any direction other than the downward spiral. While this makes for a heady reading experience, it also creates a certain thinness to the collection as a whole that results in individual stories feeling like experiments with a theme rather than explorations of the unlikely, but still human, extremes to which the characters are forced.
Boldly cruel and consummately styled, these tales never fail to provoke if not always to satisfy.Pub Date: July 18, 2023
ISBN: 9780593535868
Page Count: 272
Publisher: Knopf
Review Posted Online: May 9, 2023
Kirkus Reviews Issue: June 1, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.
Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.
It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.Pub Date: Oct. 18, 2022
ISBN: 978-0-06-325-1922
Page Count: 560
Publisher: Harper/HarperCollins
Review Posted Online: July 13, 2022
Kirkus Reviews Issue: Aug. 1, 2022
SEEN & HEARD
PERSPECTIVES
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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