by Joyce Marshall ‧ RELEASE DATE: March 29, 2011
Will appeal to genre fans, but general readers may struggle with the stiff dialogue and elaborate family dynamics.
A contemporary whodunit with strong paranormal and gothic overtones by first-time author Marshall.
Still reeling from the murders of her beloved husband Steve and their 5-year-old son Stevie, Caroline Joanna “C.J.” Connor leaves Charleston, S.C., to relocate to Jacksonville, Fla. En route, she feels a strong compulsion to break for coffee near Elizabeth Island. Serena, the waitress in the diner where C.J. stops, convinces her to delay her job in Jacksonville to spend a week at Stockton House on nearby Stockton Island, giving her a coupon for a free week’s stay to sweeten the deal. At Stockton House, C.J. quickly becomes embroiled in the family drama looming over the beautiful former estate. Developers are eager to acquire the property and managers Mason Stockton and his twin sister Monica Torino are determined to eliminate any impediment to the sale, including the last acknowledged living daughter of the former owners. C.J. learns that she was not led to Stockton House by chance, but that she is more closely associated with the Stocktons than she ever dreamed possible. Assisted by otherworldly forces, C.J. protects herself, her allies and the house from those who would do them harm. The journals kept by matriarch Christina Stockton provide such shocking evidence of her evilness that C.J. seeks to protect the woman’s daughters from knowing the full extent of their mother’s cruelty. Christina is reminiscent of characters from 1980s evening TV dramas such as Dynasty and Dallas, with her overactive sex drive matched only by her lust for power and money. The unique twist of having ghosts as C.J.’s partners lends the novel some intrigue. However, a clever concept and well-developed plot are hampered by wooden dialogue and convoluted family relationships. Nonetheless, fans of macabre mysteries will find something to like in this book.
Will appeal to genre fans, but general readers may struggle with the stiff dialogue and elaborate family dynamics.Pub Date: March 29, 2011
ISBN: 978-1456877927
Page Count: 241
Publisher: Xlibris
Review Posted Online: June 30, 2011
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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