Blue, 13, writes of Hickory, N.C., January 1944-June 1945. Roosevelt is president; the war and a polio epidemic are underway; Hickory’s camp becomes an emergency polio hospital and Blue’s father goes off to war, giving her overalls to wear as “man of the house.” Blue, her twin sisters, young brother and mother try to carry on with the help of a teenaged neighbor and his mother, but it’s much harder than Blue could have anticipated. First, her brother contracts polio and her mother stays at the hospital with him, leaving Blue to cope with minding the twins and managing everything. Then, it’s Blue who is stricken. In the hospital, she meets and makes friends with Imogene, a black girl, the first she’s ever actually been close to. Imogene describes “a muddy wide river between your people and mines,” and indeed it is. Chock full of life, history and character development, this intriguing historical narrative tries almost too hard to fit everything in—the war, polio and its treatment, death, race relations, a family’s near disintegration and a mother’s breakdown. The density and the first-person voice will turn some away, but the subject of polio is a rare one in children’s fiction, and these characters and their story are worth getting to know. (endnotes, bibliography) (Historical fiction. 10-12)
Pub Date: March 31, 2006
ISBN: 1-59078-389-1
Page Count: 200
Publisher: Calkins Creek/Boyds Mills
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 1, 2006
Aimed at readers who have already encountered Anne Frank, this riveting historical novel from Mazer (Missing Pieces, 1995, etc.) is based on a little-known chapter of WWII history. Karin Levi’s story begins in a tiny attic room in Paris in the 1940s, where she is hidden away with her brother, Marc, and their mother, practicing the art of quiet. German soldiers are conducting house-to-house searches, rounding up Jews, and the small family is soon on the run, depending on strangers for scraps of food and shelter. When Maman falls ill, Karin and Marc head for Naples without her; the children board the Henry Gibbons, a ship full of European refugees bound for Fort Ontario in Oswego, New York. Upon their arrival in America, their story turns from one of flight and danger to the happiness and sorrow associated with adjusting to a new language, customs, and schooling, and making new friends. Although it is a shock to Karin, it comes as no surprise to readers when Marc reveals that Maman is dead. Mazer skillfully paints Karin as brave and independent, yet depicts her devotion to Maman throughout, writing unsent letters and never losing sight of her belief that one day they will be reunited. Rather than relying on events and facts of the war and its atrocities to create sympathy, the author paints her central character’s thoughts and feelings, her moments of weakness and her strength, so that the story is stirringly understated. (Fiction. 10-12)
Pub Date: Oct. 1, 1999
ISBN: 0-15-201468-3
Page Count: 189
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Twelve-year-old Gwen’s loving aunt has placed her in an institution. When readers first meet her, they find a thoughtful, but strange, child whose mind moves from clear reality to a somewhat mysterious take on the world around her. In the opening sequence, a bird drops a gold key into the garden under her dormitory window. When she goes outside to retrieve it, flouting the rules of the mental hospital, Gwen sets off a sequence of events that results in her eventual retreat into the world of the Earth Kitchen—a place of solitude, safety, and sanctuary from her memories and from daily life. The kitchen is furnished with the few articles from her past that comfort her, as well as some clues to what is going on in the ward. It’s the early 1960s, and Gwen has decided that her parents were killed in an atomic blast. Readers come to understand that it is this displacement of reality that has led to her institutionalization. The author artfully incorporates into the plot the terror of nuclear warfare, the less-affluent lifestyle, and comparative innocence of the pre-Vietnam era as well as that time’s attitudes toward and treatment of mental illness. Characterization is uneven; Gwen is fully realized, but the others revolve around her illness like figures floating on a mobile. Bryant uses language in an economical, lyrical way, especially in her depiction of the Earth Kitchen. This creates an exceptional sense of place, but because of Gwen’s illness, confusion can arise. Is there really a bird that drops a key? Is the Earth Kitchen really there? Despite these flaws, this is a suspenseful and thought-provoking piece of fiction and a promising debut. (Fiction. 10-12)
Pub Date: March 1, 2002
ISBN: 0-06-029605-4
Page Count: 160
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2002
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