What it was like to return to civilian life after eight and a half years as a POW, told blandly by Alvarez (Chained Eagle, YA, 1989—not reviewed), with help from Schreiner (A Place Called Princeton, 1984, etc.). Alvarez was the first US flyer shot down in Vietnam, and on his return in 1973 he was welcomed as so many Vietnam vets were- -finding himself alone (his wife divorced him during his captivity), living behind ``a plexiglass emotional shield'' in a country so divided that he was at odds with his mother and antiwar activist sister. His tale here is one of reconstruction and success, lacking the intensity, drama, and terror of most veterans' memoirs because Alvarez seems first and foremost a tough, levelheaded man, a survivor who was recognized in prison as a leader and a source of strength. An engineer by training, later an attorney, he took his role as an officer and his code of conduct with ultimate seriousness, he says, and was sustained by them. (He notes that POWs as a group did well in readjusting to civilian life.) The profound disruption and deep reassessments one expects are not here; nor is Alvarez's Hispanic heritage a prevailing concern. Far more prominent are his natural gravitation to high circles of power and his long relationship with President and Nancy Reagan and their associates. With his obvious capabilities, conservative bent, and practicality, Alvarez shrugs off misunderstandings (including a funny one with agent Swifty Lazar) and gets on with his life, first as deputy director of the Peace Corps, then in a similar position in the Veterans Administration, then as a Beltway entrepreneur. What we don't get is any close scrutiny of the how and why of Vietnam and its deeper effects on either veterans or this country. Lifeless prose in a memoir that also lacks the excitement, drive, and focus of self-discovery. (Photographs—not seen.)
Pub Date: Dec. 16, 1991
ISBN: 1-55611-310-2
Page Count: 320
Publisher: Donald Fine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1991
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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