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GALILEO

A LIFE

This readable biography of the 17th-century scientist and mathematician is long on politics and personality and short on science and math. Reston (Collision at Home plate, 1991) divides Galileo's life in three. Since there is no wealth of information on the developmental years and early career, they are handled quickly. Galileo's rise is given in greater detail, especially his search for patronage, his intense defense of his work in the face of religious and intellectual resistance, and his ridiculing counterattacks on plagiarists and intellectual thieves. Reston assumes we know Galileo's achievements in the sciences and so spends little time on them. Instead, he builds the biography around two aspects of Galileo's character. The first is his political instincts, which on the one hand led to a fawning attitude to secular and ecclesiastical patrons, and on the other to a powerful use of his pen in attacking intellectual opponents without regard to political implications. The second trait Reston focuses on is Galileo's intellectual self-assurance, which kept him from understanding the anti-intellectual resistance to his work. These political implications come back to haunt Galileo, as the third part of the book shows in chronicling the scientist's fall. Reston devotes the major portion of his book to Galileo's trials. He creates a well-rounded portrait, convincing the reader to appreciate Galileo's mood swings, his intellectual arrogance, and his final capitulation as behavior to be expected from the man portrayed. He is as good exploring the politics of Counter- Reformation Italy and the anti-intellectualism of the conservative elements of the Church, and weaker on why and how Galileo's work was potentially heretical. He successfully portrays Galileo's world, with its colorful group of Renaissance Italians. Readily accessible, the book is an interesting character study and political biography of the great scientist.

Pub Date: May 18, 1994

ISBN: 0-06-016378-X

Page Count: 320

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1994

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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