by Jr. Thomas & edited by Chris Calhoun ‧ RELEASE DATE: Nov. 1, 2001
Dispatches from the dark side made funny. (photos)
How to turn an obituary into an ironic comic masterpiece.
For the last half of the 1990s, readers of the New York Times could be excused if they searched out Thomas’s work before they bothered with the front-page lead. Known as “McGs.”—after the veteran reporter’s middle name—these little beauties celebrated the unsung, the queer, the unpretentious, the low-rent. His 1995 obituary of Kitty Litter king Edward Lowe first brought the 56-year-old Thomas to public attention, and until his death from cancer in 2000 he paraded an endless sideshow of worthies before his readership. Drollery was his forte, taking someone’s career high note, often incongruous or absurd to begin with, and garnishing it with plenty of wit. Take this fine example of the poetry of compression: “Anton Rosenberg, a storied sometime artist and occasional musician who embodied the Greenwich Village hipster ideal of 1950’s cool to such a laid-back degree and with such determined detachment that he never amounted to much of anything, died on Feb. 14.” Thomas had a knack for extolling and leveling in a breath; he tagged defunct duckpins queen Toots Barger as “a perennial world champion in a decidedly regional sport.” And he could massage a piece of farce with deadpan certainty: “You take a fellow who looks like a goat, travels around with goats, eats with goats, lies down among goats and smells like a goat,” he wrote in 1998, “and it won’t be long before people will be calling him the Goat Man.” The cornerstone of his interests could be summed up in a line from his obituary of Angelo Zuccotti, who wielded the velvet rope at El Morocco: “He may have been a working stiff . . . but he also saw his work as an art.”
Dispatches from the dark side made funny. (photos)Pub Date: Nov. 1, 2001
ISBN: 0-7432-1562-1
Page Count: 192
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2001
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by Jr. Thomas
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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