by Jr. Wood ‧ RELEASE DATE: Oct. 1, 1991
Taut memoir focusing on Wood's ``lifelong search for a life outside of killing grounds.'' Eddie Wood was everything it takes to make a serious soldier- -18, good with a gun, with a big, tough hard-drinking hero-daddy and a southern lineage going back a century, during which every generation of men bore arms. On the way to battle in WW II, however, he watched a Frenchman shave the head of a naked woman collaborator and glimpsed the face of a teenage girl who knew she would soon be raped. Sent into combat, he was badly wounded, skull and butt, in his first firefight. Here, after detailing these transformative experiences, Wood takes us over the classic American route that got him to the killing grounds, weaving old family letters, his own journals, and the sharp, clear images of his present-tense writing into an uneven but harrowing examination of pain. He doesn't flinch from the details, including his alienation from a mother who accepted war too well and a father transformed from hero to war profiteer. In plain and pointed language he gets right to the heart of the matter for him—how guns, violence and a perversely macho sexuality inescapably suffused his experience, creating the killing grounds of peace. Struggling as an unpublished writer, he slowly declined into divorce, inability to hold a job, and ever-increasing alienation—only to be reborn as a father, MIT graduate, and Washington hustler chasing power and sex down the Beltway in the 70's. All along, Wood keeps his uncompromised eye on the core of violence that he sees as tainting American life in general, and finally emerges as that rare bird, a fighting liberal. Reminiscent of Ron Kovic's Born on the Fourth of July: a fierce, loving, brooding, sometimes awkward book that deals with difficult, unpopular themes head-on.
Pub Date: Oct. 1, 1991
ISBN: 1-55591-076-9
Page Count: 224
Publisher: Fulcrum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1991
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by Jr. Wood
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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