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THE ART OF THE HEIST

CONFESSIONS OF A MASTER ART THIEF, ROCK-AND-ROLLER, AND PRODIGAL SON

Self-regarding but revealing.

Intimate memoir of the criminal underground from an atypically blue-collar art thief.

Connor was the scion of Mayflower descendants fallen on hard times on one side, the son of an Irish cop on the other, a black sheep to both sets of relatives. Born in 1943, he grew up in Milton, Mass., near Boston. He chafed against New England’s strict class divisions, developing in adolescence a rebelliousness that seemed somewhat incongruous with his love of fine art and antiques. Yet Connor suggests that class snobbery propelled him toward his vocation: “The first time I wandered into the Forbes Museum, their contempt was palpable…they could tell just by looking that I wasn’t one of them.” He got even by pulling off his first art-museum robbery at the Forbes in 1965, around the same time he was finding some success playing rock ’n’ roll guitar in nightclubs. (The lifestyle of the gangsters he encountered on the club circuit was another factor drawing him to a career in crime.) Connor fancied himself a prodigy, but his brazen crimes brought punishment soon enough; at 22 he was arrested for burglarizing a Maine mansion, but only after shooting at the pursuing officer. He escaped from jail using a soap-bar gun, cementing his reputation in the New England underworld. Tracked down in Boston, he engaged in another extended gun battle and chase. The enraged officers retaliated by beating him severely when they finally cornered him, and by framing him for a series of unsolved rapes, which offended him deeply: “I have always lived by a strong code of ethics when it comes to civilians.” The rape conviction was eventually overturned, and he was free to pursue further criminal schemes. In 1975, he stole a Rembrandt from Boston’s Museum of Fine Arts and used it as a bargaining chip to avoid standing trial for another theft. Connor seems very taken with his own daring and panache, and the narrative, co-written by novelist Siler, focuses on his criminal glamour rather than the nitty-gritty mechanics of his devious deeds.

Self-regarding but revealing.

Pub Date: May 1, 2009

ISBN: 978-0-06-167228-6

Page Count: 304

Publisher: Collins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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