Uneven but will satisfy curiosity regarding the tawdry reality of childhood within a criminal family.
Biography of drug kingpin Pablo Escobar (1949-1993) by his understandably conflicted son.
Escobar, an Argentina-based architect and subject of the documentary Sins of My Father, sees his father’s infamy alongside qualities of a devoted family man: “he always had us in his heart, even as he used terror to intimidate his enemies.” The author intends not to detail his father’s smuggling empire but to document the fuller life of the man—and settle some scores regarding his father’s siblings. He says at the outset, “I wish to publicly ask my father’s victims…for forgiveness.” In his view, neither Escobar’s rural youth nor early years as an enterprising small-time criminal prefaced his war against society. By 1975, early forays into cocaine smuggling made him a young millionaire; years of success followed, giving the author a childhood of absurd luxury. However, in 1982, Escobar erred in entering politics. “He mistakenly believed that he could traffic drugs while also holding a seat in Congress,” he writes. Over the next two years, his public exposure led to calls for prosecution and extradition, provoking Escobar toward a campaign of bombings, assassinations, and kidnappings. Eventually, he became a fugitive (often accompanied by his family) and expanded his war to the Cali cartel. This part of the narrative becomes jumbled, as Escobar simultaneously negotiates with the government and pursues violent schemes through a dwindling cadre of followers. “I felt powerless in the face of my father’s brutal methods,” writes the author. “He no longer listened to anyone’s advice.” Following Escobar’s inevitable-seeming demise, the author and his mother had to negotiate for their lives with his enemies. Escobar writes earnestly, relying on descriptive detail, though it can feel artificially reconstructed, particularly regarding the often stagey dialogue. The author is unable to explain how the warm, quirky father he presents and the criminal who normalized widespread violence within drug smuggling are the same person. This results in frequent dissonance.
Uneven but will satisfy curiosity regarding the tawdry reality of childhood within a criminal family.Pub Date: Aug. 30, 2016
ISBN: 978-1-250-10462-5
Page Count: 368
Publisher: Dunne/St. Martin's
Review Posted Online: June 29, 2016
Kirkus Reviews Issue: July 15, 2016
A unique, incandescent memoir.
A lyrical, soul-stirring memoir about how an acclaimed Native American poet and musician came to embrace “the spirit of poetry.”
For Harjo, life did not begin at birth. She came into the world as an already-living spirit with the goal to release “the voices, songs, and stories” she carried with her from the “ancestor realm.” On Earth, she was the daughter of a half-Cherokee mother and a Creek father who made their home in Tulsa, Okla. Her father's alcoholism and volcanic temper eventually drove Harjo's mother and her children out of the family home. At first, the man who became the author’s stepfather “sang songs and smiled with his eyes,” but he soon revealed himself to be abusive and controlling. Harjo's primary way of escaping “the darkness that plagued the house and our family” was through drawing and music, two interests that allowed her to leave Oklahoma and pursue her high school education at the Institute of American Indian Arts in Santa Fe. Interaction with her classmates enlightened her to the fact that modern Native American culture and history had been shaped by “colonization and dehumanization.” An education and raised consciousness, however, did not spare Harjo from the hardships of teen pregnancy, poverty and a failed first marriage, but hard work and luck gained her admittance to the University of New Mexico, where she met a man whose “poetry opened one of the doors in my heart that had been closed since childhood.” But his hard-drinking ways wrecked their marriage and nearly destroyed Harjo. Faced with the choice of submitting to despair or becoming “crazy brave,” she found the courage to reclaim a lost spirituality as well as the “intricate and metaphorical language of my ancestors.”
A unique, incandescent memoir.Pub Date: July 9, 2012
ISBN: 978-0-393-07346-1
Page Count: 208
Publisher: Norton
Review Posted Online: April 29, 2012
Kirkus Reviews Issue: May 15, 2012
SEEN & HEARD
Riveting and exquisitely crafted.
Musician, poet and visual artist Smith (Trois, 2008, etc.) chronicles her intense life with photographer Robert Mapplethorpe during the 1960s and ’70s, when both artists came of age in downtown New York.
Both born in 1946, Smith and Mapplethorpe would become widely celebrated—she for merging poetry with rock ’n’ roll in her punk-rock performances, he as the photographer who brought pornography into the realm of art. Upon meeting in the summer of 1967, they were hungry, lonely and gifted youths struggling to find their way and their art. Smith, a gangly loser and college dropout, had attended Bible school in New Jersey where she took solace in the poetry of Rimbaud. Mapplethorpe, a former altar boy turned LSD user, had grown up in middle-class Long Island. Writing with wonderful immediacy, Smith tells the affecting story of their entwined young lives as lovers, friends and muses to one another. Eating day-old bread and stew in dumpy East Village apartments, they forged fierce bonds as soul mates who were at their happiest when working together. To make money Smith clerked in bookstores, and Mapplethorpe hustled on 42nd Street. The author colorfully evokes their days at the shabbily elegant Hotel Chelsea, late nights at Max’s Kansas City and their growth and early celebrity as artists, with Smith winning initial serious attention at a St. Mark’s Poetry Project reading and Mapplethorpe attracting lovers and patrons who catapulted him into the arms of high society. The book abounds with stories about friends, including Allen Ginsberg, Janis Joplin, William Burroughs, Sam Shepard, Gregory Corso and other luminaries, and it reveals Smith’s affection for the city—the “gritty innocence” of the couple’s beloved Coney Island, the “open atmosphere” and “simple freedom” of Washington Square. Despite separations, the duo remained friends until Mapplethorpe’s death in 1989. “Nobody sees as we do, Patti,” he once told her.
Riveting and exquisitely crafted.Pub Date: Jan. 19, 2010
ISBN: 978-0-06-621131-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2009
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
