Meet Juana, a lively and opinionated grade school girl growing up in Bogotá, Colombia. She strongly dislikes wearing her hot and itchy school uniform but even more having to learn to speak English: “Why not just speak in Spanish? It is SO much easier!”
Juana comes from a middle-class white family. She likes drawing, the superhero Astroman, and eating Brussels sprouts. She loves Bogotá, reading, her mother, and her dog, Lucas. When she finds out they will be learning to speak English in school, Juana is not happy. She’s got trouble enough with learning math. English is muy hard. Told from Juana’s point of view with humor and drama, using capitalized words, periods separating words for emphasis, and a good sprinkling of Spanish words throughout, the book makes clear there’s a universality to Juana’s story. The ink-and-watercolor cartoon-style illustrations are charming, but depictions of the city are less precise than those of its diverse inhabitants. Readers not familiar with Bogotá will fail to get a real sense of place. And Juana’s trouble with English? Suffice it to say a promised trip to the U.S.A. to meet Astroman proves to be a great incentive.
The real gift of this book comes from presenting a different point of reference to American children who hear only stories of poverty and need coming out of South America. (Fiction. 5-9)Pub Date: Sept. 27, 2016
ISBN: 978-0-7636-7208-9
Page Count: 96
Publisher: Candlewick
Review Posted Online: June 1, 2016
Kirkus Reviews Issue: June 15, 2016
Categories: CHILDREN'S SOCIAL THEMES
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PROFILES
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 29, 2017
Kirkus Reviews Issue: April 15, 2017
Categories: CHILDREN'S SOCIAL THEMES
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With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 12, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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