While fans of the earlier titles might enjoy every bite of this one, it doesn’t jell as well as its predecessors,...
Medina presents the third in a series (ABC Pasta and 1 Big Salad, both 2016) that brings together an early-learning concept, photographed food items, doodled black lines, and a unifying setting.
Here, 12 shapes—fruits, sweets, and baked goods sourced in Medina’s Washington, D.C., environs—are embodied as forest animals. Each shape is depicted and spelled out in all-caps at the top of a page. Thick black lines turn the bright pink circle of a macaron into an owl; oval jelly beans become the bodies of butterflies. Most of the sweets’ shapes derive from the way they’re cut: there’s a square “Carmelita Deer” and a rectangular “Brownie Bear.” This conceit stretches to include a cross, cut from a Rice Krispies square, for a wolf’s face and arrows cut from pecan-pie slices standing in as chipmunks. Thick line drawings lend a coloring-book feel to the compositions, since many animals appear against white space. Typefaces selected for display and text type (Burbank big wide and Bodoni Six) compete with rather than complement each other, and digitally stylized branches, grass, and other bits add to the visual disjointedness. A recipe for chocolate-covered strawberries, requiring a double boiler, a pound of bittersweet chocolate, and an unspecified quantity of strawberries, is appended.
While fans of the earlier titles might enjoy every bite of this one, it doesn’t jell as well as its predecessors, conceptually or visually. (Picture book. 3-5)Pub Date: April 24, 2018
ISBN: 978-1-101-99982-0
Page Count: 26
Publisher: Viking
Review Posted Online: Feb. 3, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
SEEN & HEARD
A droll exploration of color and nature—and a welcome reminder to safeguard our planet.
Daywalt and Jeffers’ wildly popular Crayons have an important ecological message.
Though climate change is never mentioned, the book nevertheless gently introduces responsibility for Planet Earth. As in previous titles, the main text is in a large black font, while the Crayons’ dialogue is presented in a smaller, gray font. Blue begins by showing off a blue-tinged image of the globe (land masses are depicted in a darker hue). Green takes over: “Yay, Trees! I did those!” Beige breaks in, pointing to a tiny wheat plant next to two large trees: “And wheat! I did the WHEAT!” Beige puts wheat front and center throughout—even on White’s drawing of mountaintop ice caps. When Red, Yellow, and Orange display drawings of various fruits, Beige interjects, “And WHEAT. Wheat is totally fruit.” Diplomatic Purple politely responds, “Um. NO. It is not.” Purple attempts to dissuade self-important Beige, but it all ends happily as the Crayons join hands and proclaim: “Our planet has all of us too, in many shapes, colors, and sizes.” Beige and Purple reconcile, with Beige adding, “And it’s our job to keep the planet safe.” Young children will easily absorb this positive message. Although these characters have had many outings, their quiet humor still succeeds, and fans will definitely want this new entry.
A droll exploration of color and nature—and a welcome reminder to safeguard our planet. (Picture book. 3-5)Pub Date: Feb. 13, 2024
ISBN: 9780593621080
Page Count: 32
Publisher: Philomel
Review Posted Online: Nov. 18, 2023
Kirkus Reviews Issue: Dec. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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