Solid. Expect this series to receive the same reverence as Jeff Smith's Bone

READ REVIEW

HILO

SAVING THE WHOLE WIDE WORLD

From the Hilo series , Vol. 2

Hilo, D.J., and Gina have reunited to save the world from more impending robot invasions.

It starts with just a toe—Hilo's toe, specifically. Diving right in where series opener Hilo (2015) ended, the story begins with Hilo blasted to a Void to keep the Earth safe from the human-hating, destruction-driven robot Razorwark. However, his toe (through which he can talk) remains with D.J. Soon, a portal opens, and to the elation of Gina and D.J., out pops Hilo (albeit in pieces that fuse themselves back together). The trio discovers that other creatures are also able to use the portal, and soon their quiet town is teeming with bowling-ball–wielding robots and virulent vegetables that threaten to overwhelm their entire village. Hilo's lost memories are also slowly returning, and he learns that he may have some commonalities with his enemy. This connection is only merely teased at, leaving room for further development in the next installment. Winick's worldbuilding is adroit and exciting; he blends humor, friendship, and robots with equal ease within lively and evocative panels. Vigorous diversity is its hallmark: D.J. is Asian-American, Gina is African-American, and Hilo’s a white “highly advanced android from a futuristic dimension.” Polly the cat-shaped samurai “apprentice sorceress third class” is an excellent new character.

Solid. Expect this series to receive the same reverence as Jeff Smith's Bone . (Graphic science fiction. 7-12)

Pub Date: May 17, 2016

ISBN: 978-0-385-38623-4

Page Count: 208

Publisher: Random House

Review Posted Online: Feb. 17, 2016

Kirkus Reviews Issue: March 1, 2016

Did you like this book?

No Comments Yet

Readers can still rely on this series to bring laughs.

WRECKING BALL

From the Diary of a Wimpy Kid series , Vol. 14

The Heffley family’s house undergoes a disastrous attempt at home improvement.

When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.

Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4197-3903-3

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: Nov. 19, 2019

Did you like this book?

More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.

DOG MAN AND CAT KID

From the Dog Man series , Vol. 4

Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).

The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamilton and Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).

More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)

Pub Date: Dec. 26, 2017

ISBN: 978-0-545-93518-0

Page Count: 256

Publisher: Graphix/Scholastic

Review Posted Online: May 14, 2018

Did you like this book?

more