by Judith Bartow Judith Bartow ‧ RELEASE DATE: Dec. 3, 2019
An intriguing and often touching collection of tales about new beginnings.
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A volume of short stories centers on themes of regret, loss, and redemption.
In this collection, Bartow presents 10 tales that turn on delicate moments of reconsideration and salvation. The first story, “The Last Chance Saloon,” sets out the general framework that most of the following tales will observe: battered souls seeking or unexpectedly finding new possibilities in life and love. In “Saloon,” 88-year-old widower and retired insurance salesman Sam Lundgren is installed in a “retirement village” by one of his two daughters. He’s crusty and abrupt, often declaring things to be “foolishness,” and he’s estranged from both children. But in his new setting, he meets a woman named Susan McCarthy and is surprised to begin feeling a deep attachment to her (“All the way home, seems like his arms are still holding the cloud of her blanket, his head is still full of that Susie scent, and his heart is still jumping from the jolt of her smile. Does this have anything to do with what people mean when they talk about being happy? Damn foolishness”). In “Getting It Right,” an executive vice president named Lacey Stewart meets an older man called John Forster who’s escaped from a nursing home and is looking for his long-lost wife, Helen. When Lacey returns him to his nursing home, she encounters his “fiercely cheerful” caretaker—and new opportunities in her bleak personal life. In the charming story “Amsterdam,” an international ad agency’s accounts manager, visiting the studio of a client, strikes up an unexpected friendship with a costume designer living in the same building.
Bartow crafts all of these tales in a uniform narrative voice and with a similar tempo. Her characters are refreshingly different from those found in a great deal of contemporary fiction: Not only do they tend to be older, but they’ve usually been scarred by life as well. They’ve either disappointed the people in their lives or been let down by them, and the central rhetorical gesture recurring throughout the collection is the refusal to see these failures as permanent limitations. The author’s players are well drawn; their dialogue is convincing; and in almost all cases, they unearth an element of hope. In “The Cave of the West Wind,” for instance, Emily is entranced by a Central Park art installation called The Gatesand is sure it will attract the attention of a writer named Jed, a man she hasn’t seen in over 30 years: “She is haunted by the certainty of him. For a time he gave her an Emily unimaginably more authentic than the imposter she had created to show the world because after all she had to be somebody.” Bartow’s knack for quick insights into her characters crops up in every story (“He is not accustomed to being dismissed, not by anyone and particularly not by her,” readers are told of one player. “When he stands stiff and arrogant like that she finds him less attractive, actually a little foolish”). The author’s characterizations are economical and precise, and although this can sometimes cause a flatness in her narration, the predominant effect is one of very effective empathy. These are believably flawed characters, which makes their promising discoveries all the more convincing.
An intriguing and often touching collection of tales about new beginnings.Pub Date: Dec. 3, 2019
ISBN: 978-1-64424-461-6
Page Count: 166
Publisher: Page Publishing, Inc.
Review Posted Online: Feb. 24, 2023
Review Program: Kirkus Indie
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by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Ann Patchett ‧ RELEASE DATE: June 2, 2026
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
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New York Times Bestseller
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
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