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MR. EMERSON'S COOK

Schachner (Willy and May, 1995, etc.) presents Ralph Waldo Emerson and his world through the eyes of his Irish cook (and the author’s ancestor), Annie Burns. Upon arriving in the US, Annie answers an advertisement for “an extraordinary cook” to feed an “acclaimed poet and philosopher who has stopped eating due to an overactive imagination.” When she arrives at the farm, Annie is met by chickens wearing tiny boots (the work of Henry David Thoreau), and realizes she’s in for an unusual experience. The differences between immigrant Annie’s tough, sensible constitution and Emerson’s dreamy, thoughtful disposition are made clear, but not recklessly so: “Once I had a dream. An angel offered me the world in the size and shape of an apple. ‘This thou must eat,’ said the angel, and I ate the world,” Emerson tells Annie, who responds, “The last time I ate an apple, sir, ‘twas merely an apple.” Living on the Emerson farm opens up her creative side, and little by little Annie’s literal take on the world changes. A token from home, reminding her of the fanciful musings of childhood, inspires her to create a dish Emerson will eat. Annie’s transformation is full of poetic imagery and whirling lines; readers will become swept up in this fascinating story of self-discovery that also perfectly captures the great poet’s nature. An informative afterword gives Emerson’s and Annie’s backgrounds. (Picture book. 6-8)

Pub Date: Sept. 1, 1998

ISBN: 0-525-45884-0

Page Count: 32

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1998

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BERRY MAGIC

Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)

Pub Date: June 1, 2004

ISBN: 0-88240-575-6

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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RAPUNZEL

Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)

Pub Date: Oct. 1, 2008

ISBN: 978-0-399-24772-9

Page Count: 32

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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