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Sargent's Lady

A sweeping, ultimately dizzying saga about a painter and her multiple marriages.

A Boston debutante becomes an artist in Europe, experiencing love and loss, in this debut historical novel.

In 1953, Peter Wells discovers that painter Maude Driscoll is the subject of a John Singer Sargent portrait spotted in a Washington, D.C., showroom. Noting to the clerk that he has “more than an artist collector connection” with Driscoll, Wells wonders, based on portrait details, “How in blazes did she get presented to Queen Victoria?” The novel then shifts to Boston, 1889. Driscoll just misses seeing off her best friend, Lillie Doty, who’s moving with her struggling family to California. The more affluent Driscoll soon attends Wellesley, with her British roommate eventually taking her to London (and that court presentation). Staying on to paint in Paris, Driscoll embarks on an affair with her roommate’s brother, who’s killed just as she learns that she is pregnant. Driscoll gives up her son for adoption and continues painting. At the outbreak of World War I, she returns to the United States for a brief marriage that turns out to be a sham and then relocates to Italy, where she eventually meets, then marries, another American. She resides in Washington for a spell and then returns full-time to Italy upon her husband’s death. She next marries an Italian baron and deals with the Nazi occupation. Throughout, Doty writes letters to Driscoll and then her own daughter, Evie. The back story of Wells, who first meets Driscoll in Paris in 1918 and marries Evie in the World War II era, is also unspooled. Fabris opens this novel with great flair, with that beckoning portrait and the touching heartbreak of girlfriends from different classes torn apart. Unfortunately, plot overload soon ensues, given that Driscoll marries many men, Doty writes a lot of missives (relating a rather humdrum life), and Wells has an array of highly fortuitous encounters (meeting not only Driscoll and Evie, but also saving Doty’s brother while a soldier in Europe). While the narrative always remains enjoyable, its key characters, particularly Driscoll, become engulfed rather than illuminated by this surfeit of details.

A sweeping, ultimately dizzying saga about a painter and her multiple marriages.

Pub Date: Oct. 19, 2015

ISBN: 978-0-9968437-2-0

Page Count: 410

Publisher: A Vegas Publisher, LLC

Review Posted Online: March 14, 2016

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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