Podgy prose, bland characters, dated story from this ever-popular husband-and-wife team (A Certain Smile, 1999, etc.).
Troubled family, endless complications.
Sara Elliot was always the perfect one: first-born, straight-A student, bound for medical school, etc. But she gave up her dream three years ago, at 24, when a stroke left her mother infirm and speechless and Sara devoted her life to caring for her adolescent sisters, Carrie and Abby, and ten-year-old brother Doug, meanwhile sticking with her own thankless job of finding luxury housing for loudmouthed rich people who dress badly and condescend to her. Yet, selfless to a fault, Sara never complains, says anything rude or funny, or even asks the burning question that every put-upon soap-opera heroine must ask: When will it be my turn? Maybe never. Mack, her manic, self-absorbed, younger brother is back in town. Perhaps Sara will be forced to confront the flaws in his volatile character—once she gets a nutritious dinner on the table, coaxes her sibs to eat their vegetables and do their homework, and offers moral guidance, fresh bread, and words of wisdom to all. Yet a romantic heart still beats faintly in the steel bosom of this annoying female robot: Reuben, a handsome, rich, also perfect client, seems to be single. But, wait! Is that a vengeful, money-hungry wife in his closet, claiming that Reuben’s bestial sexual demands forced her to have abortions? Sara would cry, if she weren’t a robot. The march of the subplots begins (cue the mighty Wurlitzer). Mack throws a tantrum in the nursing home where his addled mother languishes and explains why he’s so messed up before his dreams of glory make him easy prey for a cigar-chomping, casino-building monster, another of Sara’s clients. Reuben’s wife decides to accept a few zillion dollars, thus freeing Reuben to buy a cool, minimalist loft in New York. But it’s not a real home, Sara frets . . . . Happy ending, rife with platitudes, and it’s a wrap.
Podgy prose, bland characters, dated story from this ever-popular husband-and-wife team (A Certain Smile, 1999, etc.).Pub Date: Feb. 1, 2005
ISBN: 0-06-059929-4
Page Count: 304
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2005
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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