A TANGLED WEB

The husband-and-wife team that has produced several plump romances (Pot of Gold, 1993, etc.) builds on the best-selling Deceptions (1982), which unfolded the plight of twin sisters identical in degrees of talent, comfortable surrounds, and general gorgeousness. Just for fun, the two had exchanged places (career woman and homemaker) for a week, but in that week, one twin apparently died. Complications thereafter ensued and ensued. Now, a year after the demise of sister Stephanie (erstwhile wife of professor Garth and mother of two), career woman Sabrina, who'd taken on Stephanie's identity, has been forgiven by Garth for the masquerade of Deceptions and now is much in love with Garth, the kids, and her life. Meanwhile, the real Stephanie—blown into French waters from a yacht where, as ``Sabrina,'' she'd been traveling with Max, a powerful international smuggler—has been rescued by Max after the explosion (an assassination attempt on Max). But Stephanie has lost her memory and believes Max when he tells her they are married. Back in Illinois, Garth and Sabrina, who now goes by the name of Stephanie, deal with teen problems, an unscrupulous student with murder in mind, and a meddling congressman. In Provence, Stephanie, settled in and growing bored with Max, falls in love with painter LÇon and learns of Max's curious mix of illegal and humanitarian smuggling. Of course, the twins will find each other and begin to deal with the messy consequences of their deceptions. Since Stephanie is addressed by others as Sabrina, and vice versa, it's an eye-crossing go for a while, but there are enough events—murder, lacy lovemaking, kid crises—bobbing above the swell of sentiment and droplets of luxury (``She wore cream-colored silk pants...and emeralds and diamonds at her neck and ears and wrists'') to float the reader along. (Literary Guild main selection)

Pub Date: Nov. 1, 1994

ISBN: 0-671-79879-0

Page Count: 512

Publisher: Simon & Schuster

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1994

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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