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THE GIRL I LEFT BEHIND

A NARRATIVE HISTORY OF THE SIXTIES

Both educational and entertaining, with a wry, ironic wit evident throughout.

Relating her transformation from naïve girl to empowered political woman, the author also paints a larger picture of the 1960s on Capitol Hill and beyond.

Bolstered by contemporary statistics and an excellent memory, Nies (Writing/Massachusetts College of Art; Nine Women: Portraits from the American Radical Tradition, 2002, etc.) details the life changes she experienced alongside countless other women during a decade of secrecy, boys’-club politics and outright lies. Although handpicked from her blue-collar background to attend the prestigious Johns Hopkins School of Advanced International Studies, Nies quickly learned that secretary was about the highest title an educated American woman could attain in the ’60s. She fought to carve out a space for herself in politics and international relations, relying on persistence, the support of the nascent women’s movement and no small measure of guts. She gradually accomplished feats both personal and political, working with or against many famous, influential people along the way. In her punchy memoir, Nies demonstrates that equal rights for women in the workplace did not just happen, nor did they materialize as the result of benevolent male politicians finally deciding to do the right thing. Generations of female activists worked tirelessly behind the scenes to change the country’s mind-set about women in the workplace and to raise awareness of crucial issues including child care, birth control and sexual harassment. Many of the dramatic trials and victories she records have faded from public consciousness, even though today’s young women directly benefit from the efforts of their female forebears. The book’s narrative style—blunt, unflinching, honest—serves the story well, and Nies refuses to gloss over her own flaws and errors. She ably details the conflicting demands made on and by women and their plural strategies for resolving them.

Both educational and entertaining, with a wry, ironic wit evident throughout.

Pub Date: June 3, 2008

ISBN: 978-0-06-117601-2

Page Count: 368

Publisher: Harper/HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 1, 2008

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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