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OLIVIA

OR, THE WEIGHT OF THE PAST

Gourmet cooking, the television industry, private-school troubles, and one of NYC's last eligible bachelors amply furnish the life of Caroline Sindler in this warm, if disappointingly anticlimactic entertainment by Rossner (His Little Women, 1991, etc.). The youngest child of a New York Jewish academic family, Caroline takes after the family's Italian housekeeper, a passionate cook, rather than, say, Gertrude Stein. Bored by college, Caroline spends a summer as an au pair in Italy, where she gets pregnant by- -and consequently married to—Angelo Ferrante, a Sicilian ladies' man. At least she can cook in the restaurant where he tends bar. Predictably, once the couple move to Rome to operate a restaurant of their own, Angelo returns to his stable of mistresses while Caroline slaves in the kitchen and tries to care for their daughter, Olivia. The restaurant succeeds, but the marriage doesn't; Caroline says good-bye to 12-year-old Olivia (who refuses to leave her father) and retreats, traumatized, to her parents' Westport, Conn., home. Two years later, just as Caroline has recovered enough to start holding cooking classes in her Manhattan loft, Olivia reappears, claiming that her father has recently married a monster and begging to live with her mother instead. Caroline has good reasons for optimism: Her precious daughter is coming home, prospects are brewing for a cable TV cooking show, and the Jewish doctor upstairs is showing romantic interest. But she hasn't reckoned on spoiled teenaged Olivia's furious accusations and desire for revenge, which demands that several lives be shattered before mother and daughter can forget and forgive. The climax builds, fueled by Olivia's anger and Caroline's guilt—but in the end, this competent chef solves all her troubles so neatly and easily that one wonders what the fuss was about. Until then, though, engrossing characters and entertaining riffs on the importance of traditional meals keep the pages turning. (Literary Guild main selection; author tour)

Pub Date: Aug. 1, 1994

ISBN: 0-517-59720-9

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1994

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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