Profound, and profoundly moving.
A memoir of growing up a cattleman’s daughter in northeastern Montana in the 1950s and ’60s.
The life of someone who lives off the land provides rich material for any writer, and newcomer Blunt, born in 1954, could have chosen any of a number of approaches in recalling her own. Memorable incidents from childhood on her father’s hardpan ranch include a 36-hour blizzard that froze the extremities off some of his cattle. She got her formal education in a one-room grammar schoolhouse and completed it by moving to the nearest town and boarding in an upstairs bedroom at Mrs. Crowder’s, where Blunt’s older brother shared a basement room with another student from an outlying ranch. Blunt fumbled toward adulthood and womanhood in a world where gender roles had remained constant for generations; meanwhile, late-’60s pressures infiltrated her remote corner of the country. At 18, she married a rancher and Vietnam vet 12 years her senior; she bore him three children. In 1986, at age 32, newly divorced and with more lifetimes of experiences to her credit than most, she and her kids moved to Missoula, where she continued her education. No biographical sketch of Blunt, however, can convey the depth of this literary achievement. Each of the 13 sections here stands on its own: substantial, powerful segments of writing organized around some larger theme. They read like something out of the late-19th century, particularly those years when only the novel could bridge the disjunctions between society and self. Inheriting the literary territory previously claimed by Ingalls Wilder and Cather, Blunt (who’s just been named a Whiting Writer’s Award recipient) builds on their accomplishments, yet marks American literature in her own way. To shoehorn this into mere category or classification is to insult its power.
Profound, and profoundly moving.Pub Date: Feb. 12, 2002
ISBN: 0-375-40131-8
Page Count: 320
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2001
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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