Will Katie get her man? Will she make a break from this hard-luck population? The author’s masterful writing makes this...
A vivid portrayal of the disappointed young adults in Elephant Beach, a fading East Coast seaside town, in 1972. Beware the seductive lure of sex, drugs, and rock and roll.
The world-weary proprietor of a local hangout tells Katie, the 18-year-old narrator of this affecting debut short story collection, “You’re different than the other kids around here. You want my advice? Get out of Dodge. Now.” But in the summer after her high school graduation, there is some life lesson that Katie needs to learn from this on-the-skids town and her colorful, chain-smoking friends. Everyone around her is trying to escape the challenging circumstances that surround them in this working-class community. The women’s dreams are quickly crushed in evanescent sexual affairs, which end in abandonment, arguments, abortions or just male indifference; the men they get involved with are too troubled or immature or stoned to be dependable partners. The rest of the country, roiling from the Vietnam War, seems distant, as does nearby Manhattan. Katie’s friends are both contemptuous and jealous of the occasional hippie or privileged student who drifts by. Mitch, who lost a leg in Vietnam and is drinking himself to death, is the poster boy for those unable to withstand the vicissitudes of life. Katie, who comes from a more affluent family but works at an A&P, is obsessed with Luke, an elusive, recently returned vet; she is also grappling with her own adoption. What makes the desperation that abounds compelling is Chicurel’s perfect pitch for the characters’ patter, which is blunt, cynical, often profane and sometimes laugh-out-loud funny.
Will Katie get her man? Will she make a break from this hard-luck population? The author’s masterful writing makes this short stay in Elephant Beach worthwhile.Pub Date: Oct. 30, 2014
ISBN: 9780399167072
Page Count: 288
Publisher: Putnam
Review Posted Online: Oct. 8, 2014
Kirkus Reviews Issue: Oct. 15, 2014
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
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