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UNCOMMON KNOWLEDGE

For 23 years Judy Lewis lived as the adopted daughter of Loretta Young. Now in her mid-50s, she reveals that she is the natural child of Young and Clark Gable. Young and Gable became lovers in 1935 while costarring in Call of the Wild. Gable was married and Young divorced, though still in her early twenties. When Young and her mother told Gable that she was pregnant, he offered little help. To understand the bizarre nature of what ensued, one must know that Loretta Young's family had a history of drinking fathers who abandoned their families. The actress and her mother saw men as no good. Loretta, a childhood convert to Catholicism, viewed God himself as her absent father. Pregnant, she would have to live with her ``mortal sin''—abortion was no option. While filming The Crusades for Cecil B. De Mille, Young kept her fetus hidden under secret straps. Judy Lewis was born at home, just as the milkman arrived, and Loretta covered her mouth to silence her, apparently at her first breath, so that he wouldn't hear. Lewis, a therapist and family counselor, makes much of her early traumas with Loretta. Loretta wore a mask of virtue, would never play an immoral person on screen, and to this day will not publicly admit the truth about Gable. Highlights include Judy's long meeting with Gable when she was 15, not knowing he was her father; her fiancÇ's telling her of her parentage, which all Hollywood seemed to know; Judy's big showdown in her mid-30s with a still evasive Loretta; and her confrontation with her own daughter about Gable. Loretta's posture of morality is placed in the context of her own abandonment as a child, her dread of censure by the Catholic Legion of Decency, and her fear of being blacklisted under the film industry's Hayes Code. Gripping throughout. (Photos not seen.)

Pub Date: April 10, 1994

ISBN: 0-671-70019-7

Page Count: 448

Publisher: Pocket

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1994

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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