Sure, the plot is inconceivable, but isn’t life? And death? (Fantasy. 14-18)

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I WOKE UP DEAD AT THE MALL

A feel-good novel about being dead? Only in this quirky, even romantic story.

Sarah Evans would never be caught dead in mango, until, well, she wakes up dead in a mango chiffon dress at Minnesota’s Mall of America. The 16-year-old New Yorker, the victim of food poisoning intended for her wealthy father, finds herself among other teens, all murdered, from New York City. They become stuck at the mall while they take care of unfinished business in the living world and reconcile their feelings for their new state of being. Unlike her fellow humans (alive or dead), Sarah has a gift, called the Knowing, which allows her to foresee unfortunate events in the future. While she wasn’t able to stop her own mother’s death, she may be able to thwart her new, greedy stepmother’s attempt to kill her father. But she’ll need the help of her fellow mall-mates. Although time and socio-economics would have prevented many of them from knowing one another, they become fast friends. Sarah’s conversational, quick-paced, first-person narrative, full of “deadly” puns and idioms, recounts how she and her new BFFs (even in death?) work together. And when Sarah finds love in the process, she realizes she’s only learned how to live by being dead.

Sure, the plot is inconceivable, but isn’t life? And death? (Fantasy. 14-18)

Pub Date: March 22, 2016

ISBN: 978-0-553-51246-5

Page Count: 288

Publisher: Delacorte

Review Posted Online: Dec. 22, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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An emotionally engaging closer that fumbles in its final moments.

ALWAYS AND FOREVER, LARA JEAN

From the To All the Boys I've Loved Before series , Vol. 3

Lara Jean prepares for college and a wedding.

Korean-American Lara Jean is finally settled into a nice, complication-free relationship with her white boyfriend, Peter. But things don’t stay simple for long. When college acceptance letters roll in, Peter and Lara Jean discover they’re heading in different directions. As the two discuss the long-distance thing, Lara Jean’s widower father is making a major commitment: marrying the neighbor lady he’s been dating. The whirlwind of a wedding, college visits, prom, and the last few months of senior year provides an excellent backdrop for this final book about Lara Jean. The characters ping from event to event with emotions always at the forefront. Han further develops her cast, pushing them to new maturity and leaving few stones unturned. There’s only one problem here, and it’s what’s always held this series back from true greatness: Peter. Despite Han’s best efforts to flesh out Peter with abandonment issues and a crummy dad, he remains little more than a handsome jock. Frankly, Lara Jean and Peter may have cute teen chemistry, but Han's nuanced characterizations have often helped to subvert typical teen love-story tropes. This knowing subversion is frustratingly absent from the novel's denouement.

An emotionally engaging closer that fumbles in its final moments. (Romance. 14-17)

Pub Date: May 2, 2017

ISBN: 978-1-4814-3048-7

Page Count: 336

Publisher: Simon & Schuster

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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Many teen novels touch on similar themes, but few do it so memorably.

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ALL THE BRIGHT PLACES

Two struggling teens develop an unlikely relationship in a moving exploration of grief, suicide and young love.

Violet, a writer and member of the popular crowd, has withdrawn from her friends and from school activities since her sister died in a car accident nine months earlier. Finch, known to his classmates as "Theodore Freak," is famously impulsive and eccentric. Following their meeting in the school bell tower, Finch makes it his mission to re-engage Violet with the world, partially through a school project that sends them to offbeat Indiana landmarks and partially through simple persistence. (Violet and Finch live, fortunately for all involved, in the sort of romantic universe where his throwing rocks at her window in the middle of the night comes off more charming than stalker-esque.) The teens alternate narration chapter by chapter, each in a unique and well-realized voice. Finch's self-destructive streak and suicidal impulses are never far from the surface, and the chapters he narrates are interspersed with facts about suicide methods and quotations from Virginia Woolf and poet Cesare Pavese. When the story inevitably turns tragic, a cast of carefully drawn side characters brings to life both the pain of loss and the possibility of moving forward, though some notes of hope are more believable than others.

Many teen novels touch on similar themes, but few do it so memorably. (Fiction. 14 & up)

Pub Date: Jan. 6, 2015

ISBN: 978-0-385-75588-7

Page Count: 400

Publisher: Knopf

Review Posted Online: Oct. 1, 2014

Kirkus Reviews Issue: Oct. 15, 2014

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