If taken to heart, a beginning reader with lasting impact.

DIGGER AND DAISY GO TO THE CITY

From the Digger and Daisy series

In their fourth sibling adventure, Digger and Daisy are as fresh and curious as when readers first encountered them (Digger and Daisy Go to the Zoo, 2013); at this pace, there’ll be no issues about ever having to grow up.

And, frankly, who wants them to? These two young canines—the older Daisy, in glasses and a skirt that looks like a pink banana; the younger Digger, all roving eyes and nose—are the kind who can squabble and keep it to a sentence in length, not a daylong misery. This outing is to the city, and Daisy cautions Digger (she frequently cautions Digger just before Digger sets in motion whatever she has cautioned him about) to “Stay by me.…You do not want to get lost.” This refrain is a touchstone for beginning readers and, of course, one that Digger will (almost) lose track of. Daisy wants to visit all the clothing stores—Digger offers resistance but complies—but when Digger wants to visit just one store, Daisy decides not. It is Digger’s charm to find a simple but canny way to get his satisfaction and Daisy’s to know when she has been had. Sullivan’s artwork is as affable, diverting and gumball-bright in the city as in the country.

If taken to heart, a beginning reader with lasting impact. (Early reader. 4-6)

Pub Date: March 1, 2015

ISBN: 978-1-58536-847-1

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: Dec. 23, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Did you like this book?

No Comments Yet

Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles.

THE DINKY DONKEY

Even more alliterative hanky-panky from the creators of The Wonky Donkey (2010).

Operating on the principle (valid, here) that anything worth doing is worth overdoing, Smith and Cowley give their wildly popular Wonky Donkey a daughter—who, being “cute and small,” was a “dinky donkey”; having “beautiful long eyelashes” she was in consequence a “blinky dinky donkey”; and so on…and on…and on until the cumulative chorus sails past silly and ludicrous to irresistibly hysterical: “She was a stinky funky plinky-plonky winky-tinky,” etc. The repeating “Hee Haw!” chorus hardly suggests what any audience’s escalating response will be. In the illustrations the daughter sports her parent’s big, shiny eyes and winsome grin while posing in a multicolored mohawk next to a rustic boombox (“She was a punky blinky”), painting her hooves pink, crossing her rear legs to signal a need to pee (“winky-tinky inky-pinky”), demonstrating her smelliness with the help of a histrionic hummingbird, and finally cozying up to her proud, evidently single parent (there’s no sign of another) for a closing cuddle.

Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles. (Picture book. 4-6)

Pub Date: Nov. 5, 2019

ISBN: 978-1-338-60083-4

Page Count: 24

Publisher: Scholastic

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

Did you like this book?

No Comments Yet

A quiet, warm look at the bond between grandfather and grandson.

MAX AND THE TAG-ALONG MOON

After a visit, an African-American grandfather and grandson say farewell under a big yellow moon. Granpa tells Max it is the same moon he will see when he gets home.

This gently told story uses Max’s fascination with the moon’s ability to “tag along” where his family’s car goes as a metaphor for his grandfather’s constant love. Separating the two relatives is “a swervy-curvy road” that travels up and down hills, over a bridge, “past a field of sleeping cows,” around a small town and through a tunnel. No matter where Max travels, the moon is always there, waiting around a curve or peeking through the trees. But then “[d]ark clouds tumbled across the night sky.” No stars, no nightingales and no moon are to be found. Max frets: “Granpa said it would always shine for me.” Disappointed, Max climbs into bed, missing both the moon and his granpa. In a dramatic double-page spread, readers see Max’s excitement as “[s]lowly, very slowly, Max’s bedroom began to fill with a soft yellow glow.” Cooper uses his signature style to illustrate both the landscape—sometimes viewed from the car windows or reflected in the vehicle’s mirror—and the expressive faces of his characters. Coupled with the story’s lyrical text, this is a lovely mood piece.

A quiet, warm look at the bond between grandfather and grandson. (Picture book. 4-6)

Pub Date: June 13, 2013

ISBN: 978-0-399-23342-5

Page Count: 32

Publisher: Philomel

Review Posted Online: March 13, 2013

Kirkus Reviews Issue: April 1, 2013

Did you like this book?

No Comments Yet
more