by Jules Tygiel ‧ RELEASE DATE: April 1, 2000
are vivid and come to life effortlessly, it is in showing the broad sweep of baseball’s history that Tygiel excels.
A full-innings exploration of some less celebrated (and a few better-known) moments in baseball’s history, by historian and
fan Tygiel (The Jackie Robinson Reader, 1996). The ten essays in this collection portray the rise of baseball in the mid-19th century; the invention of baseball statistics; a combined study of Charles Comiskey, Connie Mack, John McGraw, and Clark Grifith; a look at baseball in the 1920s; a portrait of Branch Rickey; the story of Larry MacPhail in the Depression; an examination of baseball under the Jim Crow laws; an account of Bobby Thompson’s famous "Shot Heard Round the World"; the history of baseball’s move west in the 1950s; and an overview of the game in the 1980s. Tygiel’s highly interpretative writing offers fresh perspective on the history of the sport and, more importantly, offer insight into the general histories of the times through the prism of the game. The chapter on the "Shot Heard Round the World" looks first at the fabulous home run, then at the emerging medium of television that broadcast the news, as well as at radio and Gil Hodge’s famous incantation, "The Giants Win the Pennant!" The essay on baseball’s move into new markets in the years after 1953 offers a refreshing (and contrary) view of several teams" moves to new markets, including the Boston Braves" move to Milwaukee and the St. Louis Browns" move to Baltimore—refreshing, that is, because Tygiel lingers not on the heartsick nostalgia of fans whose teams left town but rather on the excitement of fans whose cities would now have live, major-league baseball. Although the characters that Tygiel portrays throughout his essays (such as Branch Rickey, Ford Frick, and Connie Mack)
are vivid and come to life effortlessly, it is in showing the broad sweep of baseball’s history that Tygiel excels.Pub Date: April 1, 2000
ISBN: 0-19-508958-8
Page Count: 245
Publisher: Oxford Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2000
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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