by Julia Baird ‧ RELEASE DATE: Nov. 15, 2016
A well-researched biography sensitive to Queen Victoria as a woman.
Australian journalist and historian Baird (Media Tarts: Female Politicians and the Press, 2004) draws on previously unpublished sources to fashion a lively, perceptive portrait of the long-reigning queen.
Victoria (1819-1901), writes the author, was an adoring wife, overbearing mother, and “a clever and forceful political calculator.” Characterizing her subject as “the most famous working mother in the world,” Baird focuses intently on love, sex, and family: Victoria’s marriage to Albert and protracted mourning after he died; her attitudes toward childbearing and mothering her extensive brood; her postpartum depressions; her adoration of the “blunt, bearded Scotsman” John Brown; and her relationships with many men in her government. Although there are few surprises for readers familiar with previous biographies by A.N. Wilson, Christopher Hibbert, Matthew Dennison, and Carrolly Erickson, to name a few, Baird shrewdly assesses the quality of the queen’s family life and creates sharply drawn portraits of the major players in her circle. The queen “budded in the presence of a man who charmed her, who confided in her and sought her approval,” such as her first prime minister, Lord Melbourne, with whom she had “one of the great platonic romances of modern history,” and the sympathetic, witty Benjamin Disraeli. As for her marriage, Baird sees both Victoria and Albert as stubborn and strong-willed. “Albert was aiming for greatness,” the author observes, and was happy when his wife was pregnant so he could take a role in governing. He believed women were inferior to men, and Victoria conceded, “Albert’s talents were superior.” As far as motherhood, Baird reveals that Victoria hated being pregnant, feared that she would die in childbirth, was sometimes “doting,” but also described her children “bluntly and often harshly” and clearly had her favorites. On the political landscape, Victoria witnessed the devastating Crimean War, uprisings across Europe, famine in Ireland, and domestic social pressures. She sought to transcend a “primarily ceremonial and symbolic” role to one of power and influence.
A well-researched biography sensitive to Queen Victoria as a woman.Pub Date: Nov. 15, 2016
ISBN: 978-1-4000-6988-0
Page Count: 720
Publisher: Random House
Review Posted Online: Sept. 5, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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