An intriguing hybrid: part biography, part creative interrogation/reimagination of the life of an elusive Irishwoman who lived among the Aborigines in the Australian outback during the first half of the 20th century. How do you write a biography of a figure who relentlessly changed the facts of her life along the way, yet whose copious diary entries were full of intimate details about her sojourn among the Aborigines? Blackburn (The Emperor's Last Stand, not reviewed) attempts various literary and research stratagems—chief among them being her admitting that it is impossible to know much with certainty: ``Daisy Bates was a liar, of that I am sure, but the extent and the exact details of her lies remain a difficult territory for which no good maps have survived.'' As Blackburn's account of her attempt to uncover the facts about Bates gets interlaced with suppositions, false hints, and inconsistencies, the author more and more consciously identifies with her subject. We know Bates was given a government grant to study the Aborigines' customs, that she learned the language of the various totem clans, argued staunchly in the face of skeptics that they were cannibalistic, championed their rights to a large area undisturbed by whites, and lived with them in relative isolation for over 30 years. But even when the narrative goes from the first person of Blackburn as self-conscious biographer to the long central section in the reconstructed voice of Bates herself, we never learn too much about the relation of the Aborigines to Kabbarli (meaning grandmother), as Bates was called by them. Among the most fully pieced-together experiences are the ceremony in which she was made the ``Keeper of the Totems'' and the building of the transcontinental railroad through the Great Victoria Desert, which hastened the destruction of the land and the indigenous culture. A cryptic exploration into the avowedly subjective, murky terrain called biography, with occasional lyrical insights.
Pub Date: Aug. 17, 1994
ISBN: 0-679-42001-0
Page Count: 240
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1994
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
