The gray vacuum that is Gravel Winter's soul will remind you of the aloof presence of Gilly in Dorp Dead, but here it is kindness more than cruelty which threatens the integrity of a boy's alienation. When his only friend abandons him, leaving the orphanage without so much as a goodbye, Gravel runs away. He flees again from Mr. Paynter, an aptly named sign painter who is willing to take him in, no questions asked, only to find himself acting out the role of a polite, solicitous orphan boy, accepting food and shelter from three old people—blind, deaf, and crippled respectively—who need him to "fill the gaps" in their lives. Then, in short order, Gravel tries to save blind Mr. Gant from being murdered by his servant, discovers that Gant has slain the servant instead, and narrowly escapes becoming the victim of Gant's blackmail. Gravel returns to Paynter, though not without a good deal of silent recrmination—"You fool. . . . Don't you know that I sold myself to the first people who were seeking a prop, that I shaped myself to please them so they wouldn't know who I was?" At times like this, Gravel is so full of his own message that you want to shake him and indeed, in the twelve years since Dorp Dead, Cunningham has acquired such baggage as symbolic roses. Yet the dichotomy between possessiveness and the bonds of trust, as acted out by the sniveling miser Gant and Paynter (last seen letting Gravel draw wings around a pair of shoes he's sketched for an ad) seems to inspire this author's best efforts; even her constricted solipsistic manner is oddly complementary to the theme.
Pub Date: March 1, 1977
ISBN: 0380403374
Page Count: 100
Publisher: Pantheon
Review Posted Online: April 19, 2012
Kirkus Reviews Issue: March 1, 1977
Categories: CHILDREN'S GENERAL CHILDREN'S
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With a little help from his audience, a young storyteller gets over a solid case of writer’s block in this engaging debut.
Despite the (sometimes creatively spelled) examples produced by all his classmates and the teacher’s assertion that “Stories are everywhere!” Ralph can’t get past putting his name at the top of his paper. One day, lying under the desk in despair, he remembers finding an inchworm in the park. That’s all he has, though, until his classmates’ questions—“Did it feel squishy?” “Did your mom let you keep it?” “Did you name it?”—open the floodgates for a rousing yarn featuring an interloping toddler, a broad comic turn and a dramatic rescue. Hanlon illustrates the episode with childlike scenes done in transparent colors, featuring friendly-looking children with big smiles and widely spaced button eyes. The narrative text is printed in standard type, but the children’s dialogue is rendered in hand-lettered printing within speech balloons. The episode is enhanced with a page of elementary writing tips and the tantalizing titles of his many subsequent stories (“When I Ate Too Much Spaghetti,” “The Scariest Hamster,” “When the Librarian Yelled Really Loud at Me,” etc.) on the back endpapers.
An engaging mix of gentle behavior modeling and inventive story ideas that may well provide just the push needed to get some budding young writers off and running. (Picture book. 6-8)Pub Date: Sept. 18, 2012
ISBN: 978-0761461807
Page Count: 32
Publisher: Amazon Children's Publishing
Review Posted Online: Aug. 22, 2012
Kirkus Reviews Issue: Sept. 1, 2012
Categories: CHILDREN'S GENERAL CHILDREN'S
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A middle-aged woman sidelined by a horrific accident finds even sharper pains waiting on the other side of her recuperation in this expert nightmare by Hardy, familiar to many readers as Megan Hart, author of All the Secrets We Keep (2017), etc.
Five months ago, while she was on her way to the hospital with an ailing gallbladder, Diana Sparrow’s car hit a deer on a rural Pennsylvania road. When she awoke, she was minus her gallbladder, two working collarbones (and therefore two functioning arms), and her memory. During a recovery that would’ve been impossible without the constant ministrations of Harriett Richmond, the mother-in-law who’s the real reason Diana married her husband, Jonathan, Diana’s discovered that Jonathan has been cheating on her with her childhood friend Valerie Delagatti. Divorce is out of the question: Diana’s grown used to the pampered lifestyle the prenup she’d signed would snatch away from her. Every day is filled with torments. She slips and falls in a pool of wine on her kitchen floor she’s sure she didn’t spill herself. At the emergency room, her credit card and debit card are declined. She feels that she hates oppressively solicitous Harriett but has no idea why. Her sessions with her psychiatrist fail to heal her rage at her adoptive mother, an addict who abandoned her then returned only to disappear again and die an ugly death. Even worse, her attempts to recover her lost memory lead to an excruciatingly paced series of revelations. Val says Diana asked her to seduce Jonathan. Diana realizes that Cole, a fellow student in her watercolor class, isn’t the stranger she’d thought he was. Where can this maze of deceptions possibly end?
One of those rare thrillers whose answers are even more scarifying than its mysteries.Pub Date: Nov. 10, 2020
ISBN: 978-1-64385-470-0
Page Count: 310
Publisher: Crooked Lane
Review Posted Online: Aug. 19, 2020
Kirkus Reviews Issue: Sept. 1, 2020
Categories: GENERAL MYSTERY & DETECTIVE | SUSPENSE | SUSPENSE | THRILLER | GENERAL & DOMESTIC THRILLER | GENERAL THRILLER & SUSPENSE
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This companion piece to the other fairy tales Marcia Brown has interpreted (see Puss In Boots, 1952, p. 548 and others) has the smoothness of a good translation and a unique charm to her feathery light pictures. The pictures have been done in sunset colors and the spreads on each page as they illustrate the story have the cumulative effect of soft cloud banks. Gentle.
Pub Date: June 15, 1954
ISBN: 0684126761
Page Count: 40
Publisher: Scribner
Review Posted Online: Oct. 26, 2011
Kirkus Reviews Issue: June 15, 1954
Categories: CHILDREN'S GENERAL CHILDREN'S
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