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CROCODILE SOUP

A darkly comic, sometimes strained, but always impressively inventive story about family and the unpredictability of love as...

A British writer, reminiscent of Jeanette Winterson, debuts with an edgy, richly imagined and beautifully crafted novel that charts the search for love of a thirtyish lesbian whose life is a long surreal nightmare interrupted by the kindness of a few men and women.

Archaeologist Gert, who tells her story with the occasional interpolation of pleading letters from her estranged mother, has fallen in love with Eva, a young woman who serves coffee in the cafeteria of the museum where they both work. As Gert relates her nervous pursuit of Eva, she also recalls her troubled childhood, growing up with equally troubled Frank, her twin, in a house haunted by a long-dead famous woman poet, and parents who didn’t get along. George, her father, a man of confused ambitions, soon fled to Africa to raise crocodiles for handbags, and her stylish mother Jean, who married for money, couldn’t cope with the responsibilities of being a wife and mother. Gert sees ghosts, roams the house at night, and once thinks she's been swallowed by Frank. A perceptive psychologist helps, but her fears and bizarre experiences continue, exacerbated when her father dies and the family money runs out. As an adult, her pursuit of Eva goes nowhere—a weekend at the seaside is a disaster; then Gert is injured in a car crash, escapes from a sinister hospital, and learns she's lost her job. She continues her recollection of the past that includes Frank's suicide and her surprisingly enlightening encounter with lesbian activists. And while she ponders a response to her mother, Gert finds herself befriended by an old friend of Eva's.

A darkly comic, sometimes strained, but always impressively inventive story about family and the unpredictability of love as a woman, against heavy odds, finally finds herself.

Pub Date: April 4, 2000

ISBN: 0-06-019602-5

Page Count: 352

Publisher: Ecco/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2000

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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