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TABBY MCTAT, THE MUSICAL CAT

“MEEE-EW and the old guitar, / How PURRRR-fectly happy we are.” Sounds like a hit.

A musical cat—what’s better than that?

“Tabby McTat was a busker’s cat / With a meow that was loud and strong. / The two of them sang of this and that, / And people threw coins in an old checked hat.” One day, Tabby goes for a walk while Fred, the busker, eats his lunch, and Tabby meets a pretty, black kitty. When he returns, Fred is gone, so Sock, his new friend, gets her owners to take Tabby in. He loves his new situation, especially after kittens come along, but he misses Fred. Once the kitties are grown, Tabby sets off to find Fred, unknowingly tailed by his strong-voiced son, Samuel Sprat. Fred’s happy to see his buddy—but Tabby, ever the finicky feline, now misses Sock. What could the solution be? Gruffalo creators Donaldson and Scheffler join forces once again for this lighthearted tale of friendship and music. Donaldson’s lyrical verse reads like a song. Oldsters may see where the tale is headed, but young fans will be happily surprised. Scheffler’s round-eyed characters and bright colors in full-bleed and inset illustrations extend the story. Young listeners will enjoy spotting Samuel in the background as Tabby searches for Fred.

“MEEE-EW and the old guitar, / How PURRRR-fectly happy we are.” Sounds like a hit. (Picture book. 2-7)

Pub Date: Dec. 1, 2012

ISBN: 978-0-545-45168-0

Page Count: 32

Publisher: Levine/Scholastic

Review Posted Online: Sept. 26, 2012

Kirkus Reviews Issue: Oct. 15, 2012

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MANGO, ABUELA, AND ME

This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez,...

Abuela is coming to stay with Mia and her parents. But how will they communicate if Mia speaks little Spanish and Abuela, little English? Could it be that a parrot named Mango is the solution?

The measured, evocative text describes how Mia’s español is not good enough to tell Abuela the things a grandmother should know. And Abuela’s English is too poquito to tell Mia all the stories a granddaughter wants to hear. Mia sets out to teach her Abuela English. A red feather Abuela has brought with her to remind her of a wild parrot that roosted in her mango trees back home gives Mia an idea. She and her mother buy a parrot they name Mango. And as Abuela and Mia teach Mango, and each other, to speak both Spanish and English, their “mouths [fill] with things to say.” The accompanying illustrations are charmingly executed in ink, gouache, and marker, “with a sprinkling of digital magic.” They depict a cheery urban neighborhood and a comfortable, small apartment. Readers from multigenerational immigrant families will recognize the all-too-familiar language barrier. They will also cheer for the warm and loving relationship between Abuela and Mia, which is evident in both text and illustrations even as the characters struggle to understand each other. A Spanish-language edition, Mango, Abuela, y yo, gracefully translated by Teresa Mlawer, publishes simultaneously.

This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez, an honoree. (Picture book. 4-7)

Pub Date: Aug. 25, 2015

ISBN: 978-0-7636-6900-3

Page Count: 32

Publisher: Candlewick

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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FLY!

Funny, feathery finesse.

In this wordless picture book, a fledgling robin with a vivid imagination keeps resisting its father’s encouragement to fly.

The first double-page spread clearly and cleverly shows a sequence in which a young robin in its nest passes gradually from the stage of pink and un-feathered to fluffy and then flight-ready. The father robin has been busily stuffing the child’s beak with whole worms, another signal that the youngster is maturing. Bold brush strokes and strong colors depict the birds, their nest on a branch, and surrounding foliage—with plenty of negative space to make room for speech bubbles. The “speech” consists of clear images showing a comical struggle between parent and child. Most of the “conversation” takes place on the ground, after the fledgling has inadvertently tumbled from its nest. The anthropomorphic facial expressions and body language are laugh-out-loud funny, as are the fledgling’s ridiculous, naïve pictorial retorts to every reason the adult gives for learning to fly. The baby imagines itself using all kinds of transportation—including, but not limited to, gaily colored hot air balloons, skateboards, and trains—and the father becomes increasingly frustrated. Children will giggle at the power struggle, recognizing human behaviors. Robins, like humans, share all aspects of parenting, and it is commendable that the art depicts this parent as male. As nightfall approaches, the adult finally succeeds in motivating its child, leading to a harmonious concluding scene.

Funny, feathery finesse. (Picture book. 2-5)

Pub Date: Sept. 17, 2019

ISBN: 978-1-5344-5128-5

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: June 15, 2019

Kirkus Reviews Issue: July 1, 2019

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