Aspects of Grandin’s complex life have been simplified and the poetry is sometimes forced, but this is an effective,...

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THE GIRL WHO THOUGHT IN PICTURES

THE STORY OF DR. TEMPLE GRANDIN

A picture-book biography in verse introduces Dr. Temple Grandin, a major spokesperson for autism spectrum disorder.

The author employs easy, accessible language and simple rhyme to describe Grandin’s life, including her original misdiagnosis, the doctors’ advice to “send her away,” her mother’s advocacy, her learning to speak, the “new” diagnosis of autism, frustration with her classmates, her first visit to her aunt’s farm that led to her career as an animal specialist, her understanding of her talents, and the importance of her visual memory. The narrative goes on to describe her high school teacher’s support of her interest in science, her first invention (the “squeeze machine,” a self-calming device based on close-quartered enclosures for livestock), her work in treating cattle humanely, her efforts within the autism community, and the public recognition of her unique talents. The author speaks directly and inclusively: “Being DIFFERENT might just / be what makes you so NEAT! / Don’t let doubt hold you back, / not for one minute more. / STAND TALL, and like Temple, / MARCH RIGHT THROUGH THAT DOOR!” Naïve-style pictures attractively accompany the text, and the backmatter ramps up the content: a letter from Grandin, information from a “chat” between the author and the scientist (written at a slightly higher reading level than the verse), an excellent illustrated timeline, an essay about Grandin for adults, and a bibliography that includes some video resources in addition to mostly adult-directed print resources. 

Aspects of Grandin’s complex life have been simplified and the poetry is sometimes forced, but this is an effective, age-appropriate introduction to a remarkable person. (Picture book/biography. 6-9)

Pub Date: Aug. 29, 2017

ISBN: 978-1-943147-30-4

Page Count: 40

Publisher: The Innovation Press

Review Posted Online: May 10, 2017

Kirkus Reviews Issue: June 1, 2017

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Science at its best: informative and gross.

DO NOT LICK THIS BOOK

Why not? Because “IT’S FULL OF GERMS.”

Of course, Ben-Barak rightly notes, so is everything else—from your socks to the top of Mount Everest. Just to demonstrate, he invites readers to undertake an exploratory adventure (only partly imaginary): First touch a certain seemingly blank spot on the page to pick up a microbe named Min, then in turn touch teeth, shirt, and navel to pick up Rae, Dennis, and Jake. In the process, readers watch crews of other microbes digging cavities (“Hey kid, brush your teeth less”), spreading “lovely filth,” and chowing down on huge rafts of dead skin. For the illustrations, Frost places dialogue balloons and small googly-eyed cartoon blobs of diverse shape and color onto Rundgren’s photographs, taken using a scanning electron microscope, of the fantastically rugged surfaces of seemingly smooth paper, a tooth, textile fibers, and the jumbled crevasses in a belly button. The tour concludes with more formal introductions and profiles for Min and the others: E. coli, Streptococcus, Aspergillus niger, and Corynebacteria. “Where will you take Min tomorrow?” the author asks teasingly. Maybe the nearest bar of soap.

Science at its best: informative and gross. (Informational picture book. 6-9)

Pub Date: June 5, 2018

ISBN: 978-1-250-17536-6

Page Count: 40

Publisher: Neal Porter/Roaring Brook

Review Posted Online: April 16, 2018

Kirkus Reviews Issue: May 1, 2018

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Blandly laudatory.

I AM WALT DISNEY

From the Ordinary People Change the World series

The iconic animator introduces young readers to each “happy place” in his life.

The tally begins with his childhood home in Marceline, Missouri, and climaxes with Disneyland (carefully designed to be “the happiest place on Earth”), but the account really centers on finding his true happy place, not on a map but in drawing. In sketching out his early flubs and later rocket to the top, the fictive narrator gives Ub Iwerks and other Disney studio workers a nod (leaving his labor disputes with them unmentioned) and squeezes in quick references to his animated films, from Steamboat Willie to Winnie the Pooh (sans Fantasia and Song of the South). Eliopoulos incorporates stills from the films into his cartoon illustrations and, characteristically for this series, depicts Disney as a caricature, trademark mustache in place on outsized head even in childhood years and child sized even as an adult. Human figures default to white, with occasional people of color in crowd scenes and (ahistorically) in the animation studio. One unidentified animator builds up the role-modeling with an observation that Walt and Mickey were really the same (“Both fearless; both resourceful”). An assertion toward the end—“So when do you stop being a child? When you stop dreaming”—muddles the overall follow-your-bliss message. A timeline to the EPCOT Center’s 1982 opening offers photos of the man with select associates, rodent and otherwise. An additional series entry, I Am Marie Curie, publishes simultaneously, featuring a gowned, toddler-sized version of the groundbreaking physicist accepting her two Nobel prizes.

Blandly laudatory. (bibliography) (Picture book/biography. 6-8)

Pub Date: Sept. 10, 2019

ISBN: 978-0-7352-2875-7

Page Count: 40

Publisher: Dial

Review Posted Online: Aug. 18, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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