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WEAVERWORLD

GRIMSNIPE'S REVENGE

Rohan weaves an engaging, imaginative tapestry.

Awards & Accolades

Our Verdict

  • Our Verdict
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A preteen uses intriguing imaginative skill to learn courage, hard work and the power of imagination itself.

As an 11-year-old, Jack Andrew Fisher seemingly has little interest in matters of intellect; he simply wants to go to summer skateboard camp, regardless of what his report card says. He escapes from his boring family reunion by sneaking into his grandmother’s attic, when a bizarre event portals him to a world of unfamiliar people, bizarre creatures and benevolent/malevolent beings. He receives a generous tourist pass and is taken in by both the good-natured Widget Family and the curmudgeonly but virtuous Aladdeus Gaelblade. Jack learns that the people in his newfound world have a special gift of weaving—the ability to summon one’s imagination to create things. One must use weaving for only good purposes, of course, with the quality of the finished product dependent upon the weaver’s personal character and diligence. The tale skillfully builds when the reader learns that quality weaving will inevitably be required to thwart the revenge of the evil Grimsnipe. Rohan combines all the elements of basic fantasy—a young hero, mentors, villains, something to be saved, special powers and, of course, magical creatures—with the more elusive combination of great storytelling that appeals to a wide audience. The book’s combination of action, political intrigue with corruption, a love story (or stories), a bit of nostalgia and an endearing dog will certainly appeal to both boys and girls. The alternate world mingles quasi-historical fiction with fantasy, as men tip their hats to ladies, horses are used instead of cars and bread is baked fresh in the home. The fantasy cleverly parallels our contemporary world in notions such as terror and readily presenting one’s identification—a trend, indeed, of both reality and the genre. The number of characters and their qualities is significant but never the overwhelming amount characteristic of some stories in the genre. Humor is also judicious and subtle, as in the brainless, pear-shaped Bluntogs. It may be ironic that the epilogue is almost too explanatory; however, the theme of imagination’s creative power is enough to inspire the anticipation of an even bigger climax in a potential sequel.

Rohan weaves an engaging, imaginative tapestry.

Pub Date: March 21, 2012

ISBN: N/A

Page Count: -

Publisher: Kurti Publishing

Review Posted Online: May 30, 2012

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HOW TO CATCH THE EASTER BUNNY

From the How To Catch… series

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.

The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.

The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)

Pub Date: Feb. 1, 2017

ISBN: 978-1-4926-3817-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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SOMEBUNNY LOVES YOU

From the Punderland series

<p>Perfectly fine but nothing new.</p>

Caregiver-child love abounds in this rhyming board book full of animal puns.

One thing’s for certain, there’s plenty of sweet (and groanworthy) sentiments in this book. Rossner writes, “Giving HOGS and kisses / sends me to the moon!” and, “I’m such a lucky DUCK. / You really QUACK me up!” The book progresses entirely in this fashion, with a new animal pair and pun with each page turn. It reads well as a book for a caregiver to share with a lap-sitting child. On that mark, it succeeds in providing plenty of opportunities for giggles and snuggles. That said, at times the meter is forced, making the cadence a bit stilted, and the cuddles/bubbles rhyme is a dubious one. This is an issue for a book that will almost solely be read aloud. Gibson’s illustrations are very charming; the animals and insects with big eyes and expressive faces have high appeal. The warmth of the animals’ embraces and cuddles translates well from the page, inviting the same snuggles from readers. Decorated eggs appear on each page, and the bunny pair from the cover features prominently. Overall, the concept and message of the book are high interest and age-appropriate, but it doesn’t stand out from the very crowded shelf of “I love you, little one!” books similar to it.

<p>Perfectly fine but nothing new.</p> (Board book. 6 mos.-2)

Pub Date: Feb. 2, 2021

ISBN: 978-1-7282-2343-8

Page Count: 25

Publisher: Sourcebooks Wonderland

Review Posted Online: May 18, 2021

Kirkus Reviews Issue: June 15, 2021

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