An interesting debut that has more on its mind than this first-time novelist can successfully embody in fiction.
A writer sells her book to Hollywood and discovers—surprise!—that she is no longer in charge.
Penny Schleeman loves her job teaching English at a public high school in New Haven, but at 33 she’s living in a studio apartment and has to get help from her parents if she needs dental work. “It’s not my fault that it’s not feasible to have a middle-class job anymore,” she tells us. “All I want is to be a teacher.” When her novel about Sylvia, a young woman who transforms into a mermaid, becomes a surprise bestseller, it seems Penny’s money troubles are over. Her new, barracudalike film agent gets her a deal adapting her own book (“the way I make the most cash”), and she quits her job. The catch—and of course there is one—is that Penny has been teamed with two veteran screenwriters who immediately begin to advocate changes that turn Penny’s powerful asexual protagonist, who defeats an evil environmental despoiler, into a love-starved teenager who dies in the end. Penny’s account of her increasingly unhappy stint in Hollywood alternates with chapters from American Mermaid that make palpable how her novel is being travestied (and how some of Sylvia’s conflicts mirror those of her creator). Langbein, a longtime sketch and stand-up comedian, wrings some predictable laughs from the co-writers’ cringingly awful suggestions, but this is familiar stuff; Penny’s wistful recollections of how much she loved teaching are fresher and ring truer. It takes too long for the pace, and readers’ interest, to pick up as some mysterious edits to the master script convince Penny that Sylvia has swum out of her novel to wreak revenge on her enemies. The ambiguous two-part ending teasingly hints that this is possible, and Langbein gives the appealing Penny a shot at happiness on her own terms to wrap up this sharply well-written, but only fitfully engaging tale.
An interesting debut that has more on its mind than this first-time novelist can successfully embody in fiction.Pub Date: March 21, 2023
ISBN: 9780385549677
Page Count: 336
Publisher: Doubleday
Review Posted Online: Jan. 24, 2023
Kirkus Reviews Issue: Feb. 15, 2023
BOOK REVIEW
Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.
A dark fantasy set on the Yale campus ends with a bang.
Galaxy “Alex” Stern of Lethe House, one of Yale’s storied secret societies, has been to hell and back. That was in Hell Bent (2023), the middle book in Bardugo’s Ninth House trilogy, where the secret societies wield not just temporal power but magic as well. Hell Bent ended with Alex and her friends rescuing her crush, mentor, and fellow Lethe officer, Daniel “Darlington” Arlington V, from eternal torment. One small wrinkle: The demon Golgarot used Alex’s blood to wedge a door open between Hell and New Haven, and his minions are slipping through. Also, one of the group has turned into a vampire, and Darlington is now half demon. “He’d given up some part of himself to preserve the rest of his human soul. He’d become both prisoner and warden.” As the final book opens, the exhausted crew are hunting yet another monster. They can’t keep this up forever; they will have to find a way to close the portal. Alex has the energetic, driven melancholy of the hard-boiled, dark fantasy heroine she is. She believes “magic is real, but safe is make-believe,” as her roommate puts it. An open hellmouth, a supportive scholar, a vampire whose story arcs precariously toward redemption, a gentleman fiend who gets literally horny when aroused, a California girl with rare supernatural powers who cracks wise as she fights fiends—the series has a lot in common with Buffy the Vampire Slayer and its spawn, but Bardugo’s way with words and her keen social observation keep the book from feeling derivative. A demon’s classic New England house is decorated with “ruthlessly inoffensive watercolor seascapes”; Lethe’s board president “wore the new uniform of Wall Street: a dress shirt, khakis, and a fleece with a Yale Y embroidered over the heart, as if he were on his way to a hostile takeover followed by some light rock climbing.” Will Alex and her friends get the door shut without losing Darlington? Bardugo injects her protagonist with such a convincing mix of cynicism and hope that failure seems like a distinct possibility.
Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.Pub Date: Sept. 15, 2026
ISBN: 9781250884312
Page Count: 496
Publisher: Flatiron Books
Review Posted Online: Sept. 15, 2026
Kirkus Reviews Issue: Nov. 1, 2026
The queen of social activist novels has done it again. Impressive, important, and fun to read.
The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.
“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in September, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fifteen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.
The queen of social activist novels has done it again. Impressive, important, and fun to read.Pub Date: Sept. 15, 2026
ISBN: 9780593726259
Page Count: 464
Publisher: Ballantine
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
SEEN & HEARD
PERSPECTIVES
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