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AVALANCHE

A LOVE STORY

A brutally honest and sad testimony of a desperate desire for motherhood.

A woman’s struggle to conceive redefines her capacity to love.

In a graphically detailed, at times solipsistic memoir, Australian novelist Leigh (Disquiet, 2008, etc.) chronicles her efforts, over several years, to conceive a child. In February 2008, the author and Paul, her husband-to-be, visited a fertility clinic to assess their chances for pregnancy. First on their agenda was reversing Paul’s vasectomy, done years earlier after he had a son in a previous marriage. That procedure was only one among countless others: a test to determine Paul’s sperm count; tests clearing them as carriers of illnesses such as hepatitis, HIV, rubella, and syphilis; tests to ascertain Leigh’s hormone levels; and ultrasounds—all before Leigh began treatment to enhance ovulation. Meanwhile, the couple married, but soon the marriage fell apart. “He said I was relegating ‘Us’ to my insistent desire for a child,” she writes. “I couldn’t bear his deliberate procrastinating, his brooding, his rages. The weight of his reproach.” At first, he consented for her to use his sperm for in vitro fertilization; quickly, he changed his mind. “He didn’t think I should be a mother; I was too selfish; I didn’t know how to love,” writes Leigh. Adamant about not using a sperm donor, Leigh pleaded with Paul, struggled to find another donor among men she knew, and finally found a friend who agreed. Years of blood tests, injections, and scans—recounted in detail—resulted in several implanted blastocysts, none of which developed. Over and over, Leigh collapsed in disappointment, only to begin again, submitting her body to continuous manipulation. Paul once had nicknamed her Pollyanna Juggernaut due to her undaunted optimism, but reality finally set in. No matter what the mother’s age, she learned, assisted reproduction rarely results in pregnancy. “It’s an industry predicated on failure,” she realized, and she quit, vowing “to love widely and intensely.”

A brutally honest and sad testimony of a desperate desire for motherhood. 

Pub Date: Aug. 2, 2016

ISBN: 978-0-393-29276-3

Page Count: 160

Publisher: Norton

Review Posted Online: April 29, 2016

Kirkus Reviews Issue: May 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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