Not exactly a tale of redemption, and in fact the pervasive bleakness and chilling details of the hunt flatten the...
Australian Leigh’s capable, disquieting debut is an homage of sorts to Moby Dick as an accomplished killer coolly stalks his prey—a Tasmanian tiger that’s the last of its breed—but is rattled when long-dormant emotions are stirred by a fractured family he encounters.
Arriving incognito at the edge of the Tasmanian bush to begin his hunt, the cold fish known as “M” immediately encounters a distraction from his mission. Two unrestrained children, a girl and her younger brother, are the welcoming committee in the house where he’s to stay between forays into the wilderness, their mother in a drugged stupor from mourning her scientist husband, who vanished months before in the same area where M will go. At first M has no time for the kids and tackles his assignment—to find and kill the tiger in order to retrieve genetic material and body parts for a biotech outfit—with the icy calm of a perfectionist, trapping and shooting and skinning creatures as it suits him. As time passes, however, his target remains elusive, and visits to base camp expose him further to each member of the family, with the result that he becomes more involved in their lives and aware of their needs. Called away on another mission without having bagged his cat, M returns after some weeks to finish the job, actually anticipating his reunion with the family. But he finds only an empty house and a trail of tragedy. Hopes of human intimacy, flawed though it might have been, now dashed, he resumes his cold-blooded ways in competition with park rangers who are also in search of the tiger, until the moment he has so long awaited arrives.
Not exactly a tale of redemption, and in fact the pervasive bleakness and chilling details of the hunt flatten the dimensions of the story somewhat, but within its obsessive vision there is power, raw and formidable. A writer to watch.Pub Date: Oct. 1, 2000
ISBN: 1-56858-169-6
Page Count: 176
Publisher: N/A
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 1, 2000
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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