by Julia Navarro & translated by Andrew Hurley ‧ RELEASE DATE: Jan. 2, 2007
Terrifically lively characterizations and the author’s passion for her subject make this one stand out.
An exuberant, deeply involved thriller woven around the history of the Shroud of Turin.
After yet another fire in Turin Cathedral, Marco Valoni, chief of the Italian Art Crimes Department, decides there is something suspicious going on in the great church that houses the world-renowned Shroud. There have been too many suspicious blazes over the past half-century, and in each case the arsonists responsible have been discovered with their tongues cut out. The most recent suspect is still in jail, refusing to cooperate. Valoni decides to track down the heads of scientific groups that have visited the shroud over the last decades. He also enlists the talented men and women in his agency to come up with some leads. Art expert Sofia Galloni urges her boss to release the tongueless suspect in hopes that he will lead them to his confederates. Alternating with Valoni’s crime investigation, which widens to include the very rich heads of world companies, is a Biblical history of the shroud itself. In these portions, King Abgar of Edessa sends his childhood friend Josar as an emissary to Jerusalem. Josar’s mission is to convince the legendary Jesus of Nazarus to come to Edessa, heal the king of leprosy and share his kingdom. Instead, Josar becomes a disciple and later returns to Edessa with Jesus’ shroud. Before Agbar’s non-Christian heir can torture him to reveal the shroud’s hidden location, Josar removes his own tongue. This is just the beginning of a wildly complicated history, exhaustively delineated by the author, that ultimately lands the shroud with the Templars, whose modern representatives want it back. Spanish journalist Navarro distinguishes her fiction debut from routine suspense fodder by ending this convoluted tale with realistic ambiguity rather than wrapping up all the loose ends.
Terrifically lively characterizations and the author’s passion for her subject make this one stand out.Pub Date: Jan. 2, 2007
ISBN: 0-385-33962-3
Page Count: 416
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2006
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BOOK REVIEW
by Julia Navarro ; translated by Joanna Freeman
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Max Brooks
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BOOK TO SCREEN
by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
Awards & Accolades
Likes
36
New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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