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SOUTH TOWARD HOME

ADVENTURES AND MISADVENTURES IN MY NATIVE LAND

A mixed bag but useful for explaining the South to Yankees—and perhaps to some Southerners, too.

A Mississippi native returns to the South to revel in the “typically jarring contradictions” of Dixie.

Garden & Gun contributing editor Reed (Julia Reed's South: Spirited Entertaining and High-Style Fun All Year Long, 2016, etc.) logged time in newsrooms up North, but she found it necessary, in time, to get herself back home. Even though “it’s hot as hell, the mosquitoes are murderous, and we all might be half crazy,” there’s something about the region that can’t be bottled up and carried away. In this scattering of essays, the author hits on some of the high points and plenty of the low, perhaps the lowest being the whole Honey Boo Boo thing, which a friend of hers characterized with rough poetic justice as “Peckerwood Mayhem.” For her part, Reed wryly notes the oddity of the fact that the show appeared on a network once called The Learning Channel. The author demonstrates an indexical bent, enumerating the things that make the South what it is: the highest incidence of diabetes, a still-high number of cigarette smokers, “the most violent crime, the most guns, and the most shooting deaths.” In all this, she paints with a surprisingly broad brush given that the South is really a concatenation of Souths: Virginia is not Alabama is not Texas, despite some shared rounded vowels. Reed makes for a knowing commentator on debutante balls, pecan pies, and the relative merits of Scotch versus bourbon. Still, the collection sometimes hangs together too loosely, as if an excuse to pull together Reed’s columns from her magazine. There’s nothing terrible in it, but the disquisitions on such things as whether women should carry flasks (“they are also crucial to have on hand in times of stress, duress, or just plain boredom) and a playlist of Southern tunes (featuring, natch, “Sweet Home Alabama”) seem to be mostly filler.

A mixed bag but useful for explaining the South to Yankees—and perhaps to some Southerners, too.

Pub Date: July 31, 2018

ISBN: 978-1-250-16634-0

Page Count: 256

Publisher: St. Martin's

Review Posted Online: April 3, 2018

Kirkus Reviews Issue: April 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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