Knocks down literary conventions, sexual stereotypes, the fourth wall, and more in enthusiastic defense of the weird.
Serano satirically tackles gender norms, linguistics, hipsters, and more as her fictional character writes a book about dating 99 different people—all named Eric.
Kat Cataclysm is an absurdist short story writer and self-identified “weirdo”—an out bisexual, nonmonogamous “ethical slut” with an interest in baseball, linguistics, and delicious India pale ales. She’s also fictional, a not quite nom de guerre (but still a warrior!) of author Serano, and has a long-held desire to be a novelist despite her self-confessed title of “queen of conflict avoidance,” an unfortunate trait when most novels thrive on conflict. So instead, she commits to a “faux novel” about her “her supposed experiences dating 99 different people named Eric” as she seeks to subvert other conventions of fiction as well, vowing to never overcome adversity or grow as a person along the way. Kat uses these Erics as opportunities to draw out poignant points about gentrification, internalized homophobia, bisexual stereotypes, and the disposability of the gig economy while also obsessing over penis-chewing banana slugs or dealing with the fallout of an internet listicle on the common cold she authored literally going viral. When she sics a roomful of zombified children on a tiresome screenwriter, it’s clear she’s aware of her role as omniscient narrator. Serano has written about gender identity and feminism in her nonfiction books Whipping Girl(2007) and Excluded(2013); she explores many of the same ideas in her debut work of fiction. The writing is conversational in style, and though Kat claims to be uninterested in banal descriptions, the scene-setting in various California locales works well. Kat recalls the Manic Pixie Dream Girls so often used in male-oriented stories, but she’s decidedly more warts and all in her presentation, almost too quirky to function, and enthusiastic about her role as ruler of all the Erics. The result is a lovable composite of Tom Stoppard’s Rosencrantz and Guildenstern Are Dead (1966) and a less murder-y version of Marvel’s Deadpool, using absurdism and humor to break down the fourth wall and the very idea of “normal,” with all its silly little boxes and prejudices. If that makes the book sound serious, it isn’t—and that might be the most effective way it makes its readers think about identity.
Knocks down literary conventions, sexual stereotypes, the fourth wall, and more in enthusiastic defense of the weird.Pub Date: Jan. 22, 2020
ISBN: 978-0-9968810-4-3
Page Count: 278
Publisher: Switch Hitter Press
Review Posted Online: Feb. 12, 2021
Kirkus Reviews Issue: April 15, 2021
Review Program: Kirkus Indie
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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