Enchanting Regency romance with affable central characters that tastefully blends sex with essentials of the genre.
Tagan’s (A Question of Class, 2014) lively romance, set in London in 1808, has a young woman falling for the man pursuing her guardian’s daughter.
Her actor father having abandoned her when she was 12, Harriet Farley is now the ward of Eleanor, Duchess of Dorset. Eleanor’s daughter, Lady Marianne, awaits a marriage proposal from William Talbot, Earl of Abingdon, who’s researching a cure for malaria. Harriet meets a potential suitor of hers, Mr. Hopplehill, handpicked by the duchess, but he’s middle-aged, balding and small in stature. Harriet flees to her host’s study, where she encounters William engaging in animated conversation with his sister about the theater. Later, Adam Rousby, a friend of her father’s, informs Harriet of her father’s troubles: He may be bound for debtors prison. Although initially reluctant, Harriet agrees to go to Birmingham to see him, though any association with the theater, and the trip itself, are deemed inappropriate. It is agreed William will travel with her—he’s to confer with a colleague in the area—chaperoned by Mrs. Entwhistle, William’s former nursemaid. The trip is marked by various calamities, including a barn fire and an assault by thieves, although Mrs. Entwhistle, who may have gone round the bend, is having the time of her life. With nowhere to stay, the group stops at a lord’s home and, at his request, performs Shakespeare’s As You Like It with Harriet, an impressive Rosalind and William, a tolerable Orlando. Impulsively, he kisses her on stage, but they both know a long-term relationship is out of the question. The novel has typical Regency elements—a strong, spirited heroine, class distinctions and manners, and mystery—and some racy scenes. William’s medical research and Harriet’s theater expertise combine in clever ways, adding dimension to their mutual attraction. Clearly, Marianne, although pretty, is no intellectual match for William, while Harriet’s intelligence and insights, and her physicality, stir William’s desire. It’s a sparkling romance and road trip, a satisfying read with delightful surprises along the way.
Enchanting Regency romance with affable central characters that tastefully blends sex with essentials of the genre.Pub Date: Jan. 5, 2015
ISBN: 978-1616506674
Page Count: 224
Publisher: Lyrical Trade
Review Posted Online: Dec. 16, 2014
Review Program: Kirkus Indie
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
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