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RESTLESS YOUTH

VOL. IV, AUTOBIOGRAPHY (1922-1929)

In this fourth and final volume of his autobiography (Love in America, 1994, etc.) Green, American expatriate and member of the AcadÇmie Franáaise, recalls with customary candor the years in which he not only became a writer but wrestled with the homosexuality that threatened his equally vital spiritual needs as a devout Catholic. Published first in France in the mid-1960s, this volume picks up with Green's return to his family in Paris after three years at the University of Virginia, a seminal time in his long life. For there he not only enjoyed romantic friendships with other men and fell passionately in love, but also met the family of his beloved southern mother. Back in Paris he took long walks, read widely, and attended Mass daily. While his remarkably tolerant father did not pressure him to find work, Green was aware that he should find something. Writing turned out to be his true mÇtier, and by the end of the volume he's part of the literary crowd surrounding Jean Cocteau and AndrÇ Gide, has published three novels, and has won the 1929 Harper and Book of the Month prize for his novel Adrienne Mesurat. But while from then on literature would be the absorbing work of his life, his struggle to overcome his intense attraction to male physical beauty equally dominated those years. Though convinced that being pure in both body and soul was essential, Green could not refrain from furtive, anonymous one-night stands or falling in love with handsome young men. By 1929 he was a successful writer but of ``the war between the body and the soul . . . had everything still to learn.'' A fitting conclusion to one man's scrupulously accounted-for journey of self-discovery that, like the best of confessional literature, transcends the individual to become universal.

Pub Date: March 1, 1996

ISBN: 0-7145-3002-6

Page Count: 288

Publisher: Marion Boyars

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1996

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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