by Julian Hoffman ‧ RELEASE DATE: Oct. 15, 2013
A deeply felt book that will lead readers to other books that inspired it.
A sharply observed, occasionally overwritten collection of essays on the interrelationships of man and nature, of soul and place.
Born in Britain and raised in Canada, Hoffman now lives in and often writes of the Balkans, near the Prespa Lakes, a region of natural splendor and deep political divisions. He and his partner “were led to this Greek village by a book. Having read a glowing review of it in a bird-watching magazine, we bought the book on the off chance that we might someday visit the region it described. But it took only a single evening of leafing through its pages, reading passages aloud, and looking at photographs to reach a decision of far greater import…it captivated us from the start.” An impetuous romantic, the author also came to love that particular place, and here, he shares that love, as well as his love of books about places, for he seems to connect with nature from a particularly literary perspective. He writes of “the resonance of place,” “the environmental vicissitudes of place,” and the feeling that “there are no clean, easy lines that connect ourselves to a place, as if we were joining up a question with its answer in a beginner’s language book.” More compelling than such grand pronouncements and conceptual conceits are the specifics of experience and detail, the wonder Hoffman finds in this seemingly insignificant woods, in the cry of this bird or the stateliness of that tree, and the exhilaration he feels as he experiences life as part of the natural world: “The places where I can look up or out, either at the vast ceiling of cloud and sky, or the disappearing horizon, and feel more or less the same thing: the inconsequential scale of our lives. Paradoxically, it is in those places that I feel most alive, experiencing a wild and shuddering depth to existence.”
A deeply felt book that will lead readers to other books that inspired it.Pub Date: Oct. 15, 2013
ISBN: 978-0-8203-4556-7
Page Count: 168
Publisher: Univ. of Georgia
Review Posted Online: Aug. 16, 2013
Kirkus Reviews Issue: Sept. 1, 2013
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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