A deeply felt book that will lead readers to other books that inspired it.
A sharply observed, occasionally overwritten collection of essays on the interrelationships of man and nature, of soul and place.
Born in Britain and raised in Canada, Hoffman now lives in and often writes of the Balkans, near the Prespa Lakes, a region of natural splendor and deep political divisions. He and his partner “were led to this Greek village by a book. Having read a glowing review of it in a bird-watching magazine, we bought the book on the off chance that we might someday visit the region it described. But it took only a single evening of leafing through its pages, reading passages aloud, and looking at photographs to reach a decision of far greater import…it captivated us from the start.” An impetuous romantic, the author also came to love that particular place, and here, he shares that love, as well as his love of books about places, for he seems to connect with nature from a particularly literary perspective. He writes of “the resonance of place,” “the environmental vicissitudes of place,” and the feeling that “there are no clean, easy lines that connect ourselves to a place, as if we were joining up a question with its answer in a beginner’s language book.” More compelling than such grand pronouncements and conceptual conceits are the specifics of experience and detail, the wonder Hoffman finds in this seemingly insignificant woods, in the cry of this bird or the stateliness of that tree, and the exhilaration he feels as he experiences life as part of the natural world: “The places where I can look up or out, either at the vast ceiling of cloud and sky, or the disappearing horizon, and feel more or less the same thing: the inconsequential scale of our lives. Paradoxically, it is in those places that I feel most alive, experiencing a wild and shuddering depth to existence.”
A deeply felt book that will lead readers to other books that inspired it.Pub Date: Oct. 15, 2013
ISBN: 978-0-8203-4556-7
Page Count: 168
Publisher: Univ. of Georgia
Review Posted Online: Aug. 16, 2013
Kirkus Reviews Issue: Sept. 1, 2013
A sparkling, imaginative rendition of a literary classic.
Whimsical illustrations meet quirky prose in this tag-team reinvention of the iconic 1933 book.
An award-winning New Yorker illustrator, designer, and author, Kalman (Swami on Rye: Max in India, 2018, etc.) takes on the challenge of illustrating Stein’s iconic “auto” biography of her longtime companion Toklas. Even though it’s not as ambitious as Zak Smith’s Pictures Showing What Happens on Each Page of Thomas Pynchon's Novel Gravity's Rainbow (2006) or Matt Kish’s Moby-Dick in Pictures (2011), Kalman’s 70-plus color illustrations, rendered in her distinctive playful and Fauve-esque style, perfectly reflect the artistic and intellectual world of Paris in the 1920s and ’30s. In a short afterword, written in Kalman’s distinctive script, she describes the book as a “love story” about how “two people, joined together, become themselves. They cannot breathe right without each other.” An accompanying illustration shows them sitting together at a table, Stein reading a book (aloud?), Toklas looking on (listening?). On the final page of the book, Stein notes that Toklas probably will not write her autobiography, so “I am going to write it for you….And she did and this is it.” On first meeting Stein, Toklas said there are a “great many things to tell of what was happening then….I must describe what I saw when I came.” With the current volume, we see what Kalman saw. Here’s Stein sitting in a bright yellow chair at her popular Paris home at 27 rue de Fleurus, Picasso’s famous portrait of Stein on the wall behind her. Luminaries came and went, all beautifully captured with Kalman’s bright brush strokes: Toulouse-Lautrec; Seurat, who “caught his fatal cold”; the “extraordinarily brilliant” Guillaume Apollinaire; William James, Stein’s former teacher; Marcel Duchamp (“everybody loved him)”; Isadora Duncan and Nijinsky; James Joyce and Sylvia Beach; Hemingway; the “beautiful” Edith Sitwell; and of course, Toklas, wearing one of her hats with “lovely artificial flowers” on top.
A sparkling, imaginative rendition of a literary classic.Pub Date: March 3, 2020
ISBN: 978-1-59420-460-9
Page Count: 320
Publisher: Penguin Press
Review Posted Online: Nov. 4, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
PERSPECTIVES
A dazzling visual homage to a music icon gone too soon.
A Los Angeles–based photographer pays tribute to a legendary musician with anecdotes and previously unseen images collected from their 25-year collaboration.
St. Nicholas (co-author: Whitney: Tribute to an Icon, 2012, etc.) first met Prince in 1991 at a prearranged photo shoot. “The dance between photographer and subject carried us away into hours of inspired photographs…and the beginning of a friendship that would last a lifetime.” In this book, the author fondly remembers their many professional encounters in the 25 years that followed. Many would be portrait sessions but done on impulse, like those in a burned-out Los Angeles building in 1994 and on the Charles Bridge in Prague in 2007. Both times, the author and Prince came together through serendipity to create playfully expressive images that came to represent the singer’s “unorthodox ability to truly live life in the moment.” Other encounters took place while Prince was performing at Paisley Park, his Minneapolis studio, or at venues in LA, New York, Tokyo, and London. One in particular came about after the 1991 release of Prince’s Diamonds and Pearls album and led to the start of St. Nicholas’ career as a video director. Prince, who nurtured young artists throughout his career, pushed the author to “trust my instincts…expand myself creatively.” What is most striking about even the most intimate of these photographs—even those shot with Mayte Garcia, the fan-turned–backup dancer who became Prince’s wife in 1996—is the brilliantly theatrical quality of the images. As the author observes, the singer was never not the self-conscious artist: “Prince was Prince 24/7.” Nostalgic and reverential, this book—the second St. Nicholas produced with/for Prince—is a celebration of friendship and artistry. Prince fans are sure to appreciate the book, and those interested in art photography will also find the collection highly appealing.
A dazzling visual homage to a music icon gone too soon.Pub Date: Nov. 19, 2019
ISBN: 978-0-06-293923-4
Page Count: 384
Publisher: Amistad/HarperCollins
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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