A promising debut that re-energizes tropes in the dystopian sci-fi genre.
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In North’s debut YA novel set in a violently divided, high-tech New York City, a poor girl enrolls in a Manhattan school that serves as an enclave for the fabulously rich, powerful, and dangerous.
An “Orderist” movement has given privilege and rank to those said to have the most “merit,” which include America’s wealthiest people. This state of affairs made California secede from the Union to become a rogue state; meanwhile, Manhattan, the new capital of the remaining 49, is a paradise of affluence for its chosen elite, with such fabulous luxuries as gene enhancements, gated communities, guardian drones, and self-driving taxis. The Bronx, meanwhile, is wretched, drug-ridden, and plague-filled. It’s also home to Daniela Machado, a fierce girl with phenomenal high school grades and impressive stats in track and field. She’s driven by a single-minded aim to attend a local medical school and fight “the Waste,” a mysterious, eventually fatal malady that’s slowly overtaking her political-agitator brother, Mateo. Unexpectedly, Daniela is granted a one-in-a-million chance to attend the Tuck School, a Manhattan academy for the best of the so-called “highborn.” She’s suspicious of the faculty’s motives and of the uber-handsome classmates around her, some of whom are friendly and welcoming, others not. She soon finds out that her predecessor apparently committed suicide, and she gets drawn into intrigue at the highest levels. There’s no shortage of YA sci-fi yarns that focus on the gap between haves and have-nots. But North’s entry is superlative, and his well-rendered setting is a more interesting conceit than Suzanne Collins’ similar Panem in The Hunger Games. Ultimately, what starts out as sort of a fish-out-of-water drama with sci-fi trappings becomes the story of a veritable clash of superbeings, but North maintains expert control over it, much as J.K. Rowling did in her Harry Potter sagas. The action scenes are deftly handled, as are the depictions of compelling, smart, multicultural characters. The background philosophy behind the Orderists also has a sinister verisimilitude (Aldous Huxley is cited, although Ayn Rand, curiously, is not). Both YA and adult readers will be transfixed by this novel, which works well as both a stand-alone and as a series opener.
A promising debut that re-energizes tropes in the dystopian sci-fi genre.Pub Date: Feb. 6, 2017
ISBN: N/A
Page Count: 339
Publisher: Plebeian Media
Review Posted Online: Jan. 30, 2017
Kirkus Reviews Issue: March 1, 2017
Review Program: Kirkus Indie
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Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
220
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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
Categories: GENERAL ROMANCE | ROMANCE | CONTEMPORARY ROMANCE
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SEEN & HEARD
SEEN & HEARD
A flabby, fervid melodrama of a high-strung Southern family from Conroy (The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend—the implication being that she couldn't stand being a Wingo anymore. Susan (a shrink with a lot of time on her hands) says to Tom, "Will you stay in New York and tell me all you know?" and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. There are enough traumas here to fall an average-sized mental ward, but the biggie centers around Luke, who uses the skills learned as a Navy SEAL in Vietnam to fight a guerrilla war against the installation of a nuclear power plant in Colleton and is killed by the authorities. It's his death that precipitates the nervous breakdown that costs Tom his job, and Savannah, almost, her life. There may be a barely-glimpsed smaller novel buried in all this succotash (Tom's marriage and life as a football coach), but it's sadly overwhelmed by the book's clumsy central narrative device (flashback ad infinitum) and Conroy's pretentious prose style: ""There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past.
Pub Date: Oct. 21, 1986
ISBN: 0553381547
Page Count: 686
Publisher: Houghton Mifflin
Review Posted Online: Oct. 30, 2013
Kirkus Reviews Issue: Sept. 15, 1986
Categories: LITERARY FICTION
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SEEN & HEARD
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