Showcasing the values of persistence and collaboration, this intelligent comedy offers substance alongside the laughter.

NO BORING STORIES!

Bunny is in search of a writer’s group, but her offbeat style is out of sync with both her wide-eyed, fluffy appearance and her cuddly counterparts working in clusters on the endpapers.

Following an arrow toward the “International Society for Writers of Odd and Weird,” she knows she has found her people. Unfortunately, Miss Mole and the other rough-hewn members—a giraffe-necked weevil, a babirusa, and a yeti crab—dismiss her after one look. She goes underground (literally), but the irrepressible rabbit can’t contain her contributions to the group’s unfolding narrative about a princess fighting to save the kingdom (and sandwiches), relayed in cloud-shaped thought bubbles. Santoso’s incisive designs range from sequential panels to full-page compositions. He differentiates the dual storylines by using earth tones for “reality” and a more vibrant palette for the invented action. Bunny’s interruptions force a confrontation during which the authors express frustration at the preponderance of adorable bunny stories, while the accused explains her misery regarding “all these ideas inside me” but no one to help with discernment. Happily, when the plot’s conclusion proves elusive, Bunny’s idea for turning evil grapes into carrot raisin salad is just the ticket. Falatko builds increasingly embellished sentences while also pairing terminology about and examples of story elements: “relatable characters,” an “inciting incident,” “rising action,” and a “climax.”

Showcasing the values of persistence and collaboration, this intelligent comedy offers substance alongside the laughter. (Picture book. 5-8)

Pub Date: Nov. 6, 2018

ISBN: 978-0-451-47682-1

Page Count: 48

Publisher: Viking

Review Posted Online: Sept. 17, 2018

Kirkus Reviews Issue: Oct. 1, 2018

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Hee haw.

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THE WONKY DONKEY

The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 29, 2018

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The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

CLAYMATES

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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