Bunny is in search of a writer’s group, but her offbeat style is out of sync with both her wide-eyed, fluffy appearance and her cuddly counterparts working in clusters on the endpapers.
Following an arrow toward the “International Society for Writers of Odd and Weird,” she knows she has found her people. Unfortunately, Miss Mole and the other rough-hewn members—a giraffe-necked weevil, a babirusa, and a yeti crab—dismiss her after one look. She goes underground (literally), but the irrepressible rabbit can’t contain her contributions to the group’s unfolding narrative about a princess fighting to save the kingdom (and sandwiches), relayed in cloud-shaped thought bubbles. Santoso’s incisive designs range from sequential panels to full-page compositions. He differentiates the dual storylines by using earth tones for “reality” and a more vibrant palette for the invented action. Bunny’s interruptions force a confrontation during which the authors express frustration at the preponderance of adorable bunny stories, while the accused explains her misery regarding “all these ideas inside me” but no one to help with discernment. Happily, when the plot’s conclusion proves elusive, Bunny’s idea for turning evil grapes into carrot raisin salad is just the ticket. Falatko builds increasingly embellished sentences while also pairing terminology about and examples of story elements: “relatable characters,” an “inciting incident,” “rising action,” and a “climax.”
Showcasing the values of persistence and collaboration, this intelligent comedy offers substance alongside the laughter. (Picture book. 5-8)